<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; musicalamerica</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=musicalamerica" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Who Should Write Program Notes?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7675</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7675#comments</comments>
		<pubDate>Thu, 04 Oct 2012 04:15:45 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Bert Harclerode]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Sciolino]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7675</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Mollie Alred of Sciolino Artist Management who won a $25 gift card for submitting the following question Dear Edna: As a manager of classical musicians, I have the opportunity to work with many different presenters. No matter the type of presenter, size of [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7675</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do We Need ASCAP/BMI Licenses?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4552</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4552#comments</comments>
		<pubDate>Wed, 18 Apr 2012 05:00:16 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[law and disorder]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performance space]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4552</guid>
		<description><![CDATA[By Brian Taylor Goldstein Hello Law and Disorder, We have met numerous times at conferences, (I love going to your sessions!) and you have been very helpful with questions about our presenting contracts. We also rent our facility and I now have a question about that side.  We recently received a letter from BMI stating [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4552</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can I Fire My Board Members?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4500</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4500#comments</comments>
		<pubDate>Wed, 11 Apr 2012 05:22:40 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[For Profits]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[501 c 3]]></category>
		<category><![CDATA[artistic director]]></category>
		<category><![CDATA[board members]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[non profit organization]]></category>
		<category><![CDATA[tax exempt status]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4500</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear Law and Disorder: Many years ago I founded a successful non-profit dance company. Over the years, we have continued to grow by adding board members, increasing donations, and critically acclaimed performances. However, my current board has become too invasive. In the past, I have always given them reports about the [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4500</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is It Dangerous to Cross Over Too Soon?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4366</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4366#comments</comments>
		<pubDate>Thu, 29 Mar 2012 04:15:55 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4366</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a parent of a very serious pre-college classical instrumentalist who has professional aspirations. Recently, she was offered a possible opportunity to perform and record with a singer-songwriter friend who has just signed a contract with a major agency and whose eclectic [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4366</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Exceeding the Limit on the Freeway</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4297</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4297#comments</comments>
		<pubDate>Thu, 22 Mar 2012 04:15:19 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Career Etiquette]]></category>
		<category><![CDATA[american conservatory]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[nea]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4297</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I have been working for the past five years as an assistant in the admissions office of an American conservatory. I would like to embark on a new direction – perhaps artist management or artistic administration at an orchestra. I know some people [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4297</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4121#comments</comments>
		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[Susana Galli]]></category>
		<category><![CDATA[symphony]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4121</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4121</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Finding Your Unique Path to Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4033</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4033#comments</comments>
		<pubDate>Thu, 23 Feb 2012 04:15:07 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4033</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4033</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Telling the Truth about Injuries</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3907</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3907#comments</comments>
		<pubDate>Thu, 09 Feb 2012 04:15:22 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Career Etiquette]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3907</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Patricia Goodson who is Third Prize winner of the Ask Edna First Anniversary contest, affording her a free review of her resume. I am grateful to all of you who submitted questions and will be answering many of them in the coming months. [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3907</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Twilight of the Machine</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3827</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3827#comments</comments>
		<pubDate>Fri, 03 Feb 2012 21:48:34 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Anthony Tommasini]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3827</guid>
		<description><![CDATA[By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.  Now, this is not to say that [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3827</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Getting a Feel for Fees</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3789</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3789#comments</comments>
		<pubDate>Thu, 02 Feb 2012 04:15:05 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3789</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a pianist, seeking to obtain performance opportunities without a manager. Can you please give me some guidance with regard to negotiating a fee? How can I tell what is reasonable and within the budget of the organization in question? How much [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3789</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>