<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Munich Times</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=munich-times" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Muti Taps the Liturgy</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9102</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9102#comments</comments>
		<pubDate>Tue, 08 Jan 2013 16:46:49 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alisa Kolosova]]></category>
		<category><![CDATA[Arturo Toscanini]]></category>
		<category><![CDATA[Bavarian Radio Symphony Orchestra]]></category>
		<category><![CDATA[BR Chor]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[Claudio Abbado]]></category>
		<category><![CDATA[Herbert von Karajan]]></category>
		<category><![CDATA[Karajan Centrum]]></category>
		<category><![CDATA[Michele Pertusi]]></category>
		<category><![CDATA[Molfetta]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Orchestra Cherubini]]></category>
		<category><![CDATA[Ravenna]]></category>
		<category><![CDATA[Riccardo Muti]]></category>
		<category><![CDATA[Rizzoli]]></category>
		<category><![CDATA[Ruth Ziesak]]></category>
		<category><![CDATA[Saimir Pirgu]]></category>
		<category><![CDATA[Salzburger Festspiele]]></category>
		<category><![CDATA[Teatro alla Scala]]></category>
		<category><![CDATA[Teatro dell’Opera di Roma]]></category>
		<category><![CDATA[Vienna Philharmonic]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=9102</guid>
		<description><![CDATA[By ANDREW POWELL Published: January 8, 2013 RAVENNA — Sacred music has lent gravitas to Riccardo Muti’s career since the 1960s. Settings of the Ordinary and the burial service by Bach, Mozart, Cherubini, Schubert, Berlioz, Brahms and Verdi have drawn his attention and received, more often than not, a disciplined performance. No, this is not [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=9102</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rigoletto Lands in Stadium</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8931</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8931#comments</comments>
		<pubDate>Fri, 21 Dec 2012 13:36:51 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Árpád Schilling]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bayerischer Staatsopernchor]]></category>
		<category><![CDATA[Dimitry Ivashchenko]]></category>
		<category><![CDATA[Franco Vassallo]]></category>
		<category><![CDATA[Joseph Calleja]]></category>
		<category><![CDATA[Marco Armiliato]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Nadia Krasteva]]></category>
		<category><![CDATA[Patricia Petibon]]></category>
		<category><![CDATA[Planet of the Apes]]></category>
		<category><![CDATA[Rigoletto]]></category>
		<category><![CDATA[Vienna State Opera]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8931</guid>
		<description><![CDATA[By ANDREW POWELL Published: December 21, 2012 MUNICH — They all laughed eight years ago when the Bavarian State Opera set Verdi’s Rigoletto on the Planet of the Apes, and the production fast vanished. Naturally, then, the return of the deformed ducal jester in a new régie last Saturday (Dec. 15) promised relative normalcy, perhaps [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8931</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Widmann’s Opera Babylon</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8362</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8362#comments</comments>
		<pubDate>Fri, 23 Nov 2012 11:15:57 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alexander Janiczek]]></category>
		<category><![CDATA[András Schiff]]></category>
		<category><![CDATA[Anna Prohaska]]></category>
		<category><![CDATA[Arcanto Quartett]]></category>
		<category><![CDATA[Babylon]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bavarian-Babylonian March]]></category>
		<category><![CDATA[Carlus Padrissa]]></category>
		<category><![CDATA[Claron McFadden]]></category>
		<category><![CDATA[David Schultheiß]]></category>
		<category><![CDATA[Euphrates]]></category>
		<category><![CDATA[Gabriele Schnaut]]></category>
		<category><![CDATA[George Loomis]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[Jussi Myllys]]></category>
		<category><![CDATA[Kai Wessel]]></category>
		<category><![CDATA[Kent Nagano]]></category>
		<category><![CDATA[Mozarteum]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Munich Opera Festival]]></category>
		<category><![CDATA[Peter Sloterdijk]]></category>
		<category><![CDATA[Régietheater]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Tower of Babel]]></category>
		<category><![CDATA[Willard White]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8362</guid>
		<description><![CDATA[By ANDREW POWELL Published: November 23, 2012 MUNICH — Scorpion-Man prowls the rubble of an unnamed flattened city at the start of Babylon, Jörg Widmann’s new opera, wailing as he moves. We should care. Seven scenes, a Hanging Garden interlude, and three costly theater hours later, he is back, doing his thang over the same [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8362</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Dresden Rosenkavalier</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8307</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8307#comments</comments>
		<pubDate>Mon, 19 Nov 2012 17:00:14 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Daniela Fally]]></category>
		<category><![CDATA[Daniela Sindram]]></category>
		<category><![CDATA[Der Rosenkavalier]]></category>
		<category><![CDATA[Dresden]]></category>
		<category><![CDATA[Dresden Staatskapelle]]></category>
		<category><![CDATA[Hans-Joachim Ketelsen]]></category>
		<category><![CDATA[Lohengrin]]></category>
		<category><![CDATA[Manon Lescaut]]></category>
		<category><![CDATA[Martin Gantner]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Munich Philharmonic]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Sächsische Staatskapelle]]></category>
		<category><![CDATA[Semperoper]]></category>
		<category><![CDATA[Soile Isokoski]]></category>
		<category><![CDATA[Uwe Eric Laufenberg]]></category>
		<category><![CDATA[Vienna State Opera]]></category>
		<category><![CDATA[Wolfgang Bankl]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8307</guid>
		<description><![CDATA[By ANDREW POWELL Published: November 19, 2012 DRESDEN — Christian Thielemann made his opera debut here yesterday (Nov. 18), 37 months after agreeing to replace Fabio Luisi as Chefdirigent of the Sächsische Staatskapelle, effectively music director of the Semperoper company. The vehicle, Uwe Eric Laufenberg’s 12-year-old, quasi-faithful staging of Der Rosenkavalier — notable for its [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8307</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Brahms Days in Tutzing</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8207</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8207#comments</comments>
		<pubDate>Thu, 08 Nov 2012 13:35:57 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Carl Orff]]></category>
		<category><![CDATA[Christian Lange]]></category>
		<category><![CDATA[Der Ring des Nibelungen]]></category>
		<category><![CDATA[Elly Ney]]></category>
		<category><![CDATA[Evangelische Akademie]]></category>
		<category><![CDATA[Franz Hawlata]]></category>
		<category><![CDATA[Haydn Variations]]></category>
		<category><![CDATA[Hermann Levi]]></category>
		<category><![CDATA[Johannes Brahms]]></category>
		<category><![CDATA[King Ludwig II]]></category>
		<category><![CDATA[Lake Starnberg]]></category>
		<category><![CDATA[Michael Volle]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[National Socialist]]></category>
		<category><![CDATA[Nazi Germany]]></category>
		<category><![CDATA[O Welt ich muß dich lassen]]></category>
		<category><![CDATA[Ojai Festival]]></category>
		<category><![CDATA[organ]]></category>
		<category><![CDATA[Paul Heyse]]></category>
		<category><![CDATA[Renate Sperger]]></category>
		<category><![CDATA[Sandtner]]></category>
		<category><![CDATA[Thomas Zagel]]></category>
		<category><![CDATA[Tutzing]]></category>
		<category><![CDATA[Tutzinger Brahmstage]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8207</guid>
		<description><![CDATA[By ANDREW POWELL Published: November 8, 2012 MUNICH — Johannes Brahms came here in 1870, catching the completed half of Wagner’s Ring and hobnobbing with colleagues, Liszt among them. He basked in a new celebrity, his German Requiem having appeared in print a year earlier. The visit ended with a few days’ repose at Lake [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8207</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Season of Concessions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7747</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7747#comments</comments>
		<pubDate>Thu, 11 Oct 2012 15:35:02 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Allianz]]></category>
		<category><![CDATA[Anja Harteros]]></category>
		<category><![CDATA[Audi]]></category>
		<category><![CDATA[Babylon]]></category>
		<category><![CDATA[Bavarian Radio Symphony Orchestra]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bavarian State Orchestra]]></category>
		<category><![CDATA[BMW]]></category>
		<category><![CDATA[BR Chor]]></category>
		<category><![CDATA[BR Klassik]]></category>
		<category><![CDATA[Brigitte Fassbaender]]></category>
		<category><![CDATA[Bruno Walter]]></category>
		<category><![CDATA[Carlus Padrissa]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Constantinos Carydis]]></category>
		<category><![CDATA[David Robertson]]></category>
		<category><![CDATA[Don Pasquale]]></category>
		<category><![CDATA[Esa-Pekka Salonen]]></category>
		<category><![CDATA[Ferenc Fricsay]]></category>
		<category><![CDATA[Gasteig]]></category>
		<category><![CDATA[Hans Knappertsbusch]]></category>
		<category><![CDATA[Herkulessaal]]></category>
		<category><![CDATA[Jenůfa]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[Kent Nagano]]></category>
		<category><![CDATA[Linde]]></category>
		<category><![CDATA[Lorin Maazel]]></category>
		<category><![CDATA[Marcello Viotti]]></category>
		<category><![CDATA[MDR Chor]]></category>
		<category><![CDATA[MKO]]></category>
		<category><![CDATA[Münchener Kammerorchester]]></category>
		<category><![CDATA[Münchner Symphoniker]]></category>
		<category><![CDATA[Munich Philharmonic]]></category>
		<category><![CDATA[Orlande de Lassus]]></category>
		<category><![CDATA[Peter Dijkstra]]></category>
		<category><![CDATA[Prinzregententheater]]></category>
		<category><![CDATA[Régietheater]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Riccardo Muti]]></category>
		<category><![CDATA[Richard Jones]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Salvatore Sciarrino]]></category>
		<category><![CDATA[Siemens]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Staatstheater am Gärtnerplatz]]></category>
		<category><![CDATA[Tomáš Hanus]]></category>
		<category><![CDATA[Turandot]]></category>
		<category><![CDATA[Ulf Schirmer]]></category>
		<category><![CDATA[Wolfgang Heubisch]]></category>
		<category><![CDATA[Wolfgang Sawallisch]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7747</guid>
		<description><![CDATA[By ANDREW POWELL Published: October 11, 2012 MUNICH — Arts groups here present a compromised 2012–13 season, facing pros and cons not always aligned with those in America. Funding holds steady. City and state (Bavaria) play their part, and local powerhouses — Siemens, BMW, Audi, Allianz, and Linde among them — step up habitually to [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7747</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>