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	<title>Musical America Blogs &#187; mozart</title>
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		<title>A Dance Labyrinth by Kyle Abraham</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8221</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8221#comments</comments>
		<pubDate>Mon, 12 Nov 2012 02:48:38 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Benjamin Britton]]></category>
		<category><![CDATA[Boyz n the Hood]]></category>
		<category><![CDATA[Donny Hathaway]]></category>
		<category><![CDATA[Fred McDowell]]></category>
		<category><![CDATA[Harlem Stage Gatehouse]]></category>
		<category><![CDATA[Hurricane Sandy]]></category>
		<category><![CDATA[J.S. Bach]]></category>
		<category><![CDATA[John Singleton]]></category>
		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Pavement]]></category>
		<category><![CDATA[peter grimes]]></category>
		<category><![CDATA[Philippe Jaroussky]]></category>
		<category><![CDATA[Rena Butler]]></category>
		<category><![CDATA[Sam Cooke]]></category>
		<category><![CDATA[Some Day We'll All Be Free]]></category>
		<category><![CDATA[Souls of Black Folk]]></category>
		<category><![CDATA[The Wasteland]]></category>
		<category><![CDATA[W.E.B. Dubois]]></category>
		<category><![CDATA[West Side Story]]></category>
		<category><![CDATA[What's the Matter Now]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8221</guid>
		<description><![CDATA[The world premiere of Kyle Abraham’s Pavement, seen at the Harlem Stage Gatehouse on November 3, evokes a vision of urban youth careening through a dark world. Abraham begins Pavement by marking a spot with his downcast arm.  Then he lassoes his body, drawing a circle with his outstretched limbs. He moves loose, full force and in searching manner, as if looking for a clear compass. When a white dancer enters, he stops Abraham, lies him face down on the floor, and brings his hands to the base of his spine. Abraham’s arrest is done without emotion. This lack of drama makes the event feel doubly devastating.]]></description>
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		<title>New York Rites</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7453</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7453#comments</comments>
		<pubDate>Fri, 21 Sep 2012 17:11:32 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[Ives]]></category>
		<category><![CDATA[Kurtag]]></category>
		<category><![CDATA[Leif Ove Andsnes]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Stockhausen]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[The Rite of Spring]]></category>
		<category><![CDATA[Vaslav Nijinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7453</guid>
		<description><![CDATA[By Rebecca Schmid In Berlin, where contemporary music thrives from the Philharmonie to off spaces, it is a widespread perception that New York’s mainstream institutions are afraid to program anything past Stravinsky. A look at Alan Gilbert’s recent undertakings with the New York Philharmonic, notably in a hugely successful “360” concert of Mozart, Stockhausen, Boulez [...]]]></description>
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		<title>Infektion! ‘Europeras 3&amp;4’ and Rihm’s ‘Dionysus’ at the Staatsoper</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6029</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6029#comments</comments>
		<pubDate>Thu, 12 Jul 2012 17:56:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Akademie der Künste]]></category>
		<category><![CDATA[Alfredo Daza]]></category>
		<category><![CDATA[Carl Darlhaus]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Darmstadt]]></category>
		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[Dionysus]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Elin Rombo]]></category>
		<category><![CDATA[Esther Lee]]></category>
		<category><![CDATA[Europeras]]></category>
		<category><![CDATA[Frankfurt]]></category>
		<category><![CDATA[Günther Albers]]></category>
		<category><![CDATA[Infektion!]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabel Ostermann]]></category>
		<category><![CDATA[James Cleverton]]></category>
		<category><![CDATA[Joan La Barbara]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Jonathan Meese]]></category>
		<category><![CDATA[Jorge Jara]]></category>
		<category><![CDATA[Julia Faylenbogen]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[MärzMusik]]></category>
		<category><![CDATA[Matthias Klink]]></category>
		<category><![CDATA[Mojca Erdmann]]></category>
		<category><![CDATA[MOMA]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Nicholas Isherwood]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[Pierre Audi]]></category>
		<category><![CDATA[Proserpina]]></category>
		<category><![CDATA[Qi Gong]]></category>
		<category><![CDATA[René Pape]]></category>
		<category><![CDATA[Robert Farkas]]></category>
		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[Ruhrtriennale]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Sonic Arts Lounge]]></category>
		<category><![CDATA[Sophia Simitzis]]></category>
		<category><![CDATA[Staatsoper Berlin]]></category>
		<category><![CDATA[Virpi Raisanen]]></category>
		<category><![CDATA[wagner]]></category>
		<category><![CDATA[Walkyrie]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=6029</guid>
		<description><![CDATA[By Rebecca Schmid Infektion!, the name of the Staatsoper’s annual Festival for New Music Theater could easily extend to describe the presence of John Cage in Germany this year. No other country outside the U.S. has planned as many events for his centenary of his birth, and Berlin is in some people’s minds already ‘Caged [...]]]></description>
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		</item>
		<item>
		<title>Claus Guth&#8217;s Forest-bound &#8216;Don Giovanni&#8217; at the Staatsoper; Musikfestspiele Potsdam&#8217;s new Pleasure Garden</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5768</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5768#comments</comments>
		<pubDate>Fri, 29 Jun 2012 12:01:35 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alexander Tsymbalyuk]]></category>
		<category><![CDATA[Andrea Palent]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[Anna Prohaska]]></category>
		<category><![CDATA[Anthony Holgborne]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Boulevard Unter den Linden]]></category>
		<category><![CDATA[C.P.E. Bach]]></category>
		<category><![CDATA[Christian Schmidt]]></category>
		<category><![CDATA[Christopher Maltman]]></category>
		<category><![CDATA[Claus Guth]]></category>
		<category><![CDATA[Da Ponte]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[dante]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Dowland]]></category>
		<category><![CDATA[Emmanuel Pahud]]></category>
		<category><![CDATA[Erwin Schrott]]></category>
		<category><![CDATA[Fine Arts Brass]]></category>
		<category><![CDATA[Freundschaftsinsel]]></category>
		<category><![CDATA[Friedrich the Great]]></category>
		<category><![CDATA[Giuseppe Filianoti]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Haydn Mendelssohn]]></category>
		<category><![CDATA[Jürgen Flimm]]></category>
		<category><![CDATA[La Scala]]></category>
		<category><![CDATA[Maria Bengtsson]]></category>
		<category><![CDATA[Meccore Quartet]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Musikfestspiele Potsdam sanssouci]]></category>
		<category><![CDATA[Peter Maxwell Davies]]></category>
		<category><![CDATA[Potsdam]]></category>
		<category><![CDATA[Purcell]]></category>
		<category><![CDATA[Quantz]]></category>
		<category><![CDATA[Robert Carsen]]></category>
		<category><![CDATA[Röschmann]]></category>
		<category><![CDATA[Rousseau]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Sanssouci]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Staatsoper Berlin]]></category>
		<category><![CDATA[Stefan Kocan]]></category>
		<category><![CDATA[Water Music]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5768</guid>
		<description><![CDATA[By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th [...]]]></description>
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		<title>Dresdener Musikfestspiele pay Tribute to Eastern Europe</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4937</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4937#comments</comments>
		<pubDate>Tue, 29 May 2012 17:38:07 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Academy of Ancient Music]]></category>
		<category><![CDATA[Allen Boxer]]></category>
		<category><![CDATA[Alte Gemälde Galerie]]></category>
		<category><![CDATA[Anja Zügner]]></category>
		<category><![CDATA[Baltic Youth Orchestra]]></category>
		<category><![CDATA[Bartok]]></category>
		<category><![CDATA[Britten]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Canaletto]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Cimarosa]]></category>
		<category><![CDATA[Concentus Musicus Wien]]></category>
		<category><![CDATA[Daniel Liebeskind]]></category>
		<category><![CDATA[Dietrich Fischer-Dieskau]]></category>
		<category><![CDATA[Dresden]]></category>
		<category><![CDATA[Dresdener Musikfestspiele]]></category>
		<category><![CDATA[Dresdner Kapellsolisten]]></category>
		<category><![CDATA[Gläsener Manufaktur]]></category>
		<category><![CDATA[Großer Garten]]></category>
		<category><![CDATA[Helmut Branny]]></category>
		<category><![CDATA[Herald Tribune]]></category>
		<category><![CDATA[Honegger]]></category>
		<category><![CDATA[Ian Bostridge]]></category>
		<category><![CDATA[Il Giardino Armonico]]></category>
		<category><![CDATA[Ilhun Jung]]></category>
		<category><![CDATA[Jan Vogler]]></category>
		<category><![CDATA[Kristian Järvi]]></category>
		<category><![CDATA[Marinsky Orchestra]]></category>
		<category><![CDATA[Matthias Henneberg]]></category>
		<category><![CDATA[MDR Symphony Orchestra]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Music Critics Association of North America]]></category>
		<category><![CDATA[Orchestra of the Age of Enlightenment]]></category>
		<category><![CDATA[Patricia Kopatchinskaja]]></category>
		<category><![CDATA[Princess Amalie]]></category>
		<category><![CDATA[Raphael]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Rossini]]></category>
		<category><![CDATA[Staatskapelle Dresden]]></category>
		<category><![CDATA[Steven Devine]]></category>
		<category><![CDATA[Strauss]]></category>
		<category><![CDATA[Tehila Nini Goldstein]]></category>
		<category><![CDATA[Valery Gergiev]]></category>
		<category><![CDATA[Volkswagon]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4937</guid>
		<description><![CDATA[By Rebecca Schmid The theme of this year’s Dresdener Musikfestspiele, “Herz Europas” (the Heart of Europe), inventively returns the East German city to its roots as a thriving cultural hub. While today’s united Germany is roiled by the end of the ‘Merkozy’ era and Eurobond controversy, the emphasis of the festival (May 15-June 3) on [...]]]></description>
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		<item>
		<title>Hillary Hahn and Hauschka join Forces on &#8216;Silfra&#8217;; Riccardo Chailly and the Gewandhausorchester Leipzig</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4846</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4846#comments</comments>
		<pubDate>Fri, 18 May 2012 11:02:28 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Christina Landshamer]]></category>
		<category><![CDATA[concerti]]></category>
		<category><![CDATA[Deutsche Grammophon]]></category>
		<category><![CDATA[Gerschwin]]></category>
		<category><![CDATA[Gewandhausorchester Leipzig]]></category>
		<category><![CDATA[Hauschka]]></category>
		<category><![CDATA[Hélène Grimaud]]></category>
		<category><![CDATA[Hillary Hahn]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Silfra]]></category>
		<category><![CDATA[Tom Brosseau]]></category>
		<category><![CDATA[Yellow Lounge]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4846</guid>
		<description><![CDATA[By Rebecca Schmid Hillary Hahn’s taste for the unconventional has in recent years taken her career onto a trajectory unlike that of most violin prodigies. Last October, she appeared on NPR’s Tiny Desk Concert Series improvising to traditional American melodies that inspired the works of Charles Ives, donning a fedora for the occasion. She maintains [...]]]></description>
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		<title>Omus in Person</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3775</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3775#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:50:28 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Aaron Kernis]]></category>
		<category><![CDATA[Alicia de Larrocha]]></category>
		<category><![CDATA[Allan Kozinn]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Brian Kellow]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christopher Hunt]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Deborah Borda]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Jane Moss]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kirk Varnedoe]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mary Lou Falcone]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Town Hall]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3775</guid>
		<description><![CDATA[by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should [...]]]></description>
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		<item>
		<title>Afterthoughts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1737</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1737#comments</comments>
		<pubDate>Tue, 28 Jun 2011 13:24:04 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Janacek]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Vixen]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1737</guid>
		<description><![CDATA[By Alan Gilbert I have been thinking generally about how orchestras define themselves and, specifically, about what the New York Philharmonic means to the public we serve. Last week’s Philharmonic production of The Cunning Little Vixen was a joy to work on, and I am hugely proud of what we achieved as an institution. For [...]]]></description>
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		</item>
		<item>
		<title>Night of the Living Dead</title>
		<link>http://www.musicalamerica.com/mablogs/?p=772</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=772#comments</comments>
		<pubDate>Fri, 19 Nov 2010 21:14:19 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[cecilia bartoli]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[lesley koenig]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[pr]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[revivals]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=772</guid>
		<description><![CDATA[By James Jorden Revival. Strange word, and creepy, when you think about it. Something used to be alive, then it wasn&#8217;t and now (presumably) it is, again. But it&#8217;s that last step, the actual reviving that seems so often to elude the revival of an opera production.  What started me thinking about this was the [...]]]></description>
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