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	<title>Musical America Blogs &#187; Midnight in Paris</title>
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		<title>Precision Isn&#8217;t Everything</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2320</link>
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		<pubDate>Fri, 05 Aug 2011 06:30:53 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[carl nielsen]]></category>
		<category><![CDATA[Emil Telmányi]]></category>
		<category><![CDATA[Kevin McCarthy]]></category>
		<category><![CDATA[Michael Schønwandt]]></category>
		<category><![CDATA[Midnight in Paris]]></category>
		<category><![CDATA[Nila Parly]]></category>
		<category><![CDATA[Pulcinella]]></category>
		<category><![CDATA[royal danish orchestra]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[symphonic poem]]></category>
		<category><![CDATA[syrinx]]></category>
		<category><![CDATA[Tobias Durholm]]></category>
		<category><![CDATA[Woody Allen]]></category>

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		<description><![CDATA[by Sedgwick Clark We’ve been in the thrall of “perfect” playing for so long that sometimes it takes a less than precise ensemble to remind us of genuine character. The Royal Danish Orchestra, under its music director Michael Schønwandt, had it in spades last week in its delightful program of native son Carl Nielsen’s strange [...]]]></description>
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