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	<title>Musical America Blogs &#187; Mendelssohn</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9149#comments</comments>
		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Gauguin]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
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		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1217#comments</comments>
		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[Alkan]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Benabdallah]]></category>
		<category><![CDATA[Benabdeljalil]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Clementi]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Fantaisie]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Gabetta]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Kreeger]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[repertoire]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Servais]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sonata]]></category>
		<category><![CDATA[Sorgen]]></category>
		<category><![CDATA[Variations]]></category>
		<category><![CDATA[Weill]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1217</guid>
		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
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		<title>In Praise of …</title>
		<link>http://www.musicalamerica.com/mablogs/?p=769</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=769#comments</comments>
		<pubDate>Tue, 16 Nov 2010 21:28:01 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Bell]]></category>
		<category><![CDATA[Elijah]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Kavakos]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[Midori]]></category>
		<category><![CDATA[Mutter]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[Zukerman]]></category>

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		<description><![CDATA[By Alan Gilbert I&#8217;ve often spoken about the uniquely awesome capacity of the New York Philharmonic, but I really must tip my hat to the musicians for what they have done over the last few weeks. From Sunday, October 24, through Thursday, November 4, we were on tour in Europe, playing in familiar cities, such [...]]]></description>
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		<title>Back from Tour &#8230; Stay Tuned</title>
		<link>http://www.musicalamerica.com/mablogs/?p=763</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=763#comments</comments>
		<pubDate>Tue, 09 Nov 2010 23:22:50 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Elijah]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[Tour]]></category>

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		<description><![CDATA[By Alan Gilbert As much as I enjoy putting my thoughts down in writing and sharing them here, in my blog, that is just not going to happen today. On Friday I returned from a very satisfying, very exciting, very busy tour, and although there is much about the time I spent in Europe that [...]]]></description>
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