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	<title>Musical America Blogs &#187; Martha Graham Dance Company</title>
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		<title>A Dance That Still Strikes The Heart: Martha Graham&#8217;s Chronicle:</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8053</link>
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		<pubDate>Thu, 01 Nov 2012 14:36:36 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Blakeley White-Mcguire]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Fall for Dance Festival]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Martha Graham Dance Company]]></category>
		<category><![CDATA[Michael Marquez]]></category>
		<category><![CDATA[New York City Center]]></category>
		<category><![CDATA[Steps in the Street]]></category>
		<category><![CDATA[Terese Capucilli]]></category>
		<category><![CDATA[The Juilliard School]]></category>
		<category><![CDATA[Wallingford Riegger]]></category>

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		<description><![CDATA[Martha Graham’s Chronicle speaks against the rise of fascism, but it also reveals a universal message. Everyone should fight for causes. On September 30 at New York City Center, The Martha Graham Dance Company’s performance of Graham’s 1936 masterwork concluded the second program of the Fall for Dance Festival.]]></description>
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		<series:name><![CDATA[The Juilliard School]]></series:name>
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		<title>Valentine Dances</title>
		<link>http://www.musicalamerica.com/mablogs/?p=862</link>
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		<pubDate>Mon, 14 Feb 2011 23:16:49 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alex Escalante]]></category>
		<category><![CDATA[DanceNOW [NYC]]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[Martha Graham Dance Company]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[Nixon in China]]></category>

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		<description><![CDATA[By Rachel Straus When the pressure is on to be romantic, delivering the goods is a challenge. The week before Valentine’s Day, four dance events intentionally (and unintentionally) dabbled in matters of the heart.  Merce Cunningham’s 1998 Pond Way—as filmed by Charles Atlas—was surprisingly the most romantic. (It was screened at the Baryshnikov Arts Center [...]]]></description>
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		<title>Mining the Past: A New Giselle, a Restaged Robert Wilson Ballet, and Charles Reinhart</title>
		<link>http://www.musicalamerica.com/mablogs/?p=818</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=818#comments</comments>
		<pubDate>Mon, 17 Jan 2011 19:25:28 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[American Dance Festival]]></category>
		<category><![CDATA[Giselle]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Martha Graham Dance Company]]></category>
		<category><![CDATA[Pacific Northwest Ballet]]></category>
		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[Works + Process]]></category>

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		<description><![CDATA[by Rachel Straus Finding clues to a lost dance resembles detective work. If you’re the Sherlock Holmes type, dance reconstructions can become obsessively fascinating. On January 9 and 10, the Guggenheim Museum’s popular Works + Process series hosted Pacific Northwest Ballet—Giselle Revisited. Under the artistic directorship of former New York City Ballet principal Peter Boal, [...]]]></description>
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