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	<title>Musical America Blogs &#187; Martha Graham</title>
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		<title>A Dance That Still Strikes The Heart: Martha Graham&#8217;s Chronicle:</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8053</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8053#comments</comments>
		<pubDate>Thu, 01 Nov 2012 14:36:36 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Blakeley White-Mcguire]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Fall for Dance Festival]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Martha Graham Dance Company]]></category>
		<category><![CDATA[Michael Marquez]]></category>
		<category><![CDATA[New York City Center]]></category>
		<category><![CDATA[Steps in the Street]]></category>
		<category><![CDATA[Terese Capucilli]]></category>
		<category><![CDATA[The Juilliard School]]></category>
		<category><![CDATA[Wallingford Riegger]]></category>

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		<description><![CDATA[Martha Graham’s Chronicle speaks against the rise of fascism, but it also reveals a universal message. Everyone should fight for causes. On September 30 at New York City Center, The Martha Graham Dance Company’s performance of Graham’s 1936 masterwork concluded the second program of the Fall for Dance Festival.]]></description>
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		<series:name><![CDATA[The Juilliard School]]></series:name>
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		<title>Fall for Dance Festival: Recapping Program 1, 2 and 5</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7859</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7859#comments</comments>
		<pubDate>Thu, 18 Oct 2012 00:42:04 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Blakeley White-Mcguire]]></category>
		<category><![CDATA[Charles Wuorinen]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Circa]]></category>
		<category><![CDATA[Craig Hall]]></category>
		<category><![CDATA[Deseo Y Conciencia]]></category>
		<category><![CDATA[Evel Knievel]]></category>
		<category><![CDATA[Fall for Dance Festival]]></category>
		<category><![CDATA[Fang Yi-Sheu]]></category>
		<category><![CDATA[Five Movements Three Repeats]]></category>
		<category><![CDATA[Fortune]]></category>
		<category><![CDATA[LPD-Laboratory Dance Project]]></category>
		<category><![CDATA[Maria Pages]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Max Richter]]></category>
		<category><![CDATA[Memoryhouse]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[No Comment]]></category>
		<category><![CDATA[Otis Clyde]]></category>
		<category><![CDATA[Pam Tamowitz]]></category>
		<category><![CDATA[Stanford Makishi]]></category>
		<category><![CDATA[The Bitter Earth/On the Nature of Daylight]]></category>
		<category><![CDATA[The Juilliard School]]></category>
		<category><![CDATA[Tyler Angle]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[Yaron Lifschitz]]></category>

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		<description><![CDATA[The seventh annual Fall For Dance Festival came to a meaty close on October 13.  Program five at New York’s City Center trafficked in high testosterone, thanks to China’s LPD-Laboratory Dance Project’s No Comment (2002) and Yaron Lifschitz’s Circa (2009), which is also the name of the Australian acrobatic troupe. In both works the body was treated like a battering ram.]]></description>
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		<title>Eclipse, A New Work for BAM&#8217;S Newest Space</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7188</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7188#comments</comments>
		<pubDate>Mon, 10 Sep 2012 19:14:11 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Adam Weinert]]></category>
		<category><![CDATA[Anthony McCall]]></category>
		<category><![CDATA[Apollo]]></category>
		<category><![CDATA[BAM Richard B. Fisher Building]]></category>
		<category><![CDATA[CC Chang]]></category>
		<category><![CDATA[Eclipse]]></category>
		<category><![CDATA[Jonah Bokaer]]></category>
		<category><![CDATA[Judson Church Theatre]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[Sara Procopio]]></category>
		<category><![CDATA[Tal Adler-Arieli]]></category>

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		<description><![CDATA[Choreographer Jonah Bokaer and visual artist Anthony McCall’s world premiere of Eclipse inaugurated the BAM Richard B. Fisher Building with six sold out performances from September 5th through 9th. The hour-long work (seen on the 9th) in the new black box theater was configured so that the audience flanked four sides of the dark, carpeted stage space. The performance began when Bokaer approached one of the lowest hanging bulbs and knelt to Thomas Edison’s invention. Like the sun god Apollo, Bokaer’s penetrating gaze into the bulb’s opaque surface caused its illumination.]]></description>
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		<item>
		<title>Crystal Pite&#8217;s Futuristic Choreography</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4071</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4071#comments</comments>
		<pubDate>Tue, 28 Feb 2012 10:00:26 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Cindy Salgado]]></category>
		<category><![CDATA[Crystal Pite]]></category>
		<category><![CDATA[Dark Matters]]></category>
		<category><![CDATA[Eric Beauchesne]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[Hugo Weaving]]></category>
		<category><![CDATA[I don't believe in outer space]]></category>
		<category><![CDATA[Isadora Duncan]]></category>
		<category><![CDATA[Jermaine Maurice Spivey]]></category>
		<category><![CDATA[Jiří Pokorný]]></category>
		<category><![CDATA[Judson Dance Theatre]]></category>
		<category><![CDATA[Keanu Reeves]]></category>
		<category><![CDATA[Kidd Pivot Frankfurt RM]]></category>
		<category><![CDATA[Marines]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Peter Chu]]></category>
		<category><![CDATA[Piano Sonata No. 14 in C Sharp Minor]]></category>
		<category><![CDATA[Robert Sondergaard]]></category>
		<category><![CDATA[Sandra Marin Garcia]]></category>
		<category><![CDATA[The Matrix]]></category>
		<category><![CDATA[The You Show]]></category>
		<category><![CDATA[Three Atmospheric Studies]]></category>
		<category><![CDATA[William Forsythe]]></category>

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		<description><![CDATA[Ten years later, I saw Crystal Pite’s “Dark Matters.” Her choreography augured a new movement style, a “Matrix”-like sense of physical wonder. On January 24 at Baryshnikov Arts Center (BAC), Pite’s choreography enthralled the audience. At the end of “The You Show,” made in 2010 with her company Kidd Pivot Frankfurt RM, Pite and her eight dancers received a standing ovation.]]></description>
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