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	<title>Musical America Blogs &#187; Mark Morris</title>
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		<title>Red Detachment Redux and the Cowboy Spirit</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2327</link>
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		<pubDate>Fri, 05 Aug 2011 20:28:38 +0000</pubDate>
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				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cathy barbash]]></category>
		<category><![CDATA[edinburgh festival]]></category>
		<category><![CDATA[kennedy center]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[ministry of culture]]></category>
		<category><![CDATA[national ballet]]></category>
		<category><![CDATA[Nixon in China]]></category>
		<category><![CDATA[red detachment of women]]></category>
		<category><![CDATA[Swan Lake]]></category>
		<category><![CDATA[yellow river concerto]]></category>

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		<description><![CDATA[by Cathy Barbash For those of you who did not get enough of the Red Detachment of Women during this winter’s run of Nixon in China at the Met, the National Ballet of China will be performing excerpts of the ballet (possibly the same excerpt reinterpreted and interpolated into the opera by Mark Morris) in [...]]]></description>
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		<title>Valentine Dances</title>
		<link>http://www.musicalamerica.com/mablogs/?p=862</link>
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		<pubDate>Mon, 14 Feb 2011 23:16:49 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alex Escalante]]></category>
		<category><![CDATA[DanceNOW [NYC]]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[Martha Graham Dance Company]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[Nixon in China]]></category>

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		<description><![CDATA[By Rachel Straus When the pressure is on to be romantic, delivering the goods is a challenge. The week before Valentine’s Day, four dance events intentionally (and unintentionally) dabbled in matters of the heart.  Merce Cunningham’s 1998 Pond Way—as filmed by Charles Atlas—was surprisingly the most romantic. (It was screened at the Baryshnikov Arts Center [...]]]></description>
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		<title>Nixon in Amber</title>
		<link>http://www.musicalamerica.com/mablogs/?p=857</link>
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		<pubDate>Fri, 04 Feb 2011 20:52:16 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Chiang Ching]]></category>
		<category><![CDATA[english national opera]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[houston grand opera]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[new york city opera]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[peter sellars]]></category>
		<category><![CDATA[ping pong diplomacy]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[republic of china]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[the met]]></category>

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		<description><![CDATA[By James Jorden It&#8217;s not hard to guess why Peter Gelb would choose to import a recreation of the original production of Nixon in China instead of devising a new staging from scratch. It would hardly be prudent to blow a million dollars on a six-performance run of a work unlikely to be revived any [...]]]></description>
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		<title>Christmas with Mark Morris and Alvin Ailey</title>
		<link>http://www.musicalamerica.com/mablogs/?p=790</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=790#comments</comments>
		<pubDate>Tue, 21 Dec 2010 21:15:00 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alvin Ailey American Dance Theater]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[Nutcracker]]></category>
		<category><![CDATA[The Hard Nut]]></category>

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		<description><![CDATA[By Rachel Straus Nostalgia is the main event in most Nutcrackers.  But in the original 1892 “Nutcracker” by Marius Petipa and Lev Ivanov, the subject—nostalgia for one&#8217;s lost childhood—did little for the pre-Freudian audience. The libretto came from the 1816 novella by E. T. A. Hoffman. In it a girl&#8217;s favorite Christmas toy (the Nutcracker) comes [...]]]></description>
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