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	<title>Musical America Blogs &#187; Maria Pages</title>
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		<title>Fall for Dance Festival: Recapping Program 1, 2 and 5</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7859</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7859#comments</comments>
		<pubDate>Thu, 18 Oct 2012 00:42:04 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Blakeley White-Mcguire]]></category>
		<category><![CDATA[Charles Wuorinen]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Circa]]></category>
		<category><![CDATA[Craig Hall]]></category>
		<category><![CDATA[Deseo Y Conciencia]]></category>
		<category><![CDATA[Evel Knievel]]></category>
		<category><![CDATA[Fall for Dance Festival]]></category>
		<category><![CDATA[Fang Yi-Sheu]]></category>
		<category><![CDATA[Five Movements Three Repeats]]></category>
		<category><![CDATA[Fortune]]></category>
		<category><![CDATA[LPD-Laboratory Dance Project]]></category>
		<category><![CDATA[Maria Pages]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Max Richter]]></category>
		<category><![CDATA[Memoryhouse]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[No Comment]]></category>
		<category><![CDATA[Otis Clyde]]></category>
		<category><![CDATA[Pam Tamowitz]]></category>
		<category><![CDATA[Stanford Makishi]]></category>
		<category><![CDATA[The Bitter Earth/On the Nature of Daylight]]></category>
		<category><![CDATA[The Juilliard School]]></category>
		<category><![CDATA[Tyler Angle]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[Yaron Lifschitz]]></category>

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		<description><![CDATA[The seventh annual Fall For Dance Festival came to a meaty close on October 13.  Program five at New York’s City Center trafficked in high testosterone, thanks to China’s LPD-Laboratory Dance Project’s No Comment (2002) and Yaron Lifschitz’s Circa (2009), which is also the name of the Australian acrobatic troupe. In both works the body was treated like a battering ram.]]></description>
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