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	<title>Musical America Blogs &#187; manager</title>
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		<title>What Are You Trying To Hide?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7487</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7487#comments</comments>
		<pubDate>Wed, 26 Sep 2012 04:36:58 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
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		<category><![CDATA[Brian Taylor]]></category>
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		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[itemization]]></category>
		<category><![CDATA[management company]]></category>
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		<category><![CDATA[reimbursable expenses]]></category>
		<category><![CDATA[unreasonable request]]></category>

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		<description><![CDATA[By Brian Taylor Goldstein I run a small management company. In addition to our commissions, we bill our artists monthly for their share of expenses (conference fees, publicity materials, etc.) One of our artists is now refusing to pay unless we provide her with an itemization of expenses. Do I have to give her one? [...]]]></description>
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		<title>Listen To Your Mother and Get It In Writing!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7105</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7105#comments</comments>
		<pubDate>Wed, 05 Sep 2012 05:31:23 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
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		<category><![CDATA[Brian Taylor]]></category>
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		<category><![CDATA[recording]]></category>
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		<category><![CDATA[royalties]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7105</guid>
		<description><![CDATA[By Brian Taylor Goldstein Can you answer this question for us?  My soon to be son-in-law is a musician. He has written and recorded many songs, and is producing his first CD.  One of the songs on the CD, he had a female friend sing with him.  If he plans to put this song on [...]]]></description>
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		<title>Can Newspapers Charge To Quote Reviews??</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6651</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6651#comments</comments>
		<pubDate>Wed, 08 Aug 2012 04:44:30 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<category><![CDATA[cannot make copies]]></category>
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		<category><![CDATA[quotations]]></category>

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		<description><![CDATA[By Brian Taylor Goldstein Dear Law &#38; Disorder: I recently came across the website of an artist management agency in Europe where they had posted the following: “The press review is temporarily not available. German newspapers Frankfurter Allgemeine Zeitung and Süddeutsche Zeitung recently started to pursue institutions and artists using texts (press reviews, interviews, commentaries [...]]]></description>
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		<title>How Do I Protect My Personal Assets From Claims of Copyright Infringement?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5331</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5331#comments</comments>
		<pubDate>Wed, 13 Jun 2012 04:39:21 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Limited Liability Companies]]></category>
		<category><![CDATA[breaches]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[c corp]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[corporate entity]]></category>
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		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[limited liability company]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[personal assets]]></category>
		<category><![CDATA[personal liability]]></category>
		<category><![CDATA[publishing company]]></category>
		<category><![CDATA[s corp]]></category>
		<category><![CDATA[torts]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5331</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear FTM Arts Law: Could owning copyrights individually (as opposed to being owned by a corporate entity) ever be a personal liability?  I understand that if copyrights are held in the name of a S-corp, C-corp, or possibly LLC, the corporate veil would shield my personal assets. There is no liability in [...]]]></description>
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		<title>I Want To Engage A Foreign Artist. Tell Me Everything I Need To Know!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4953</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4953#comments</comments>
		<pubDate>Wed, 30 May 2012 05:47:07 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Central Withholding Agreements]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[Touring]]></category>
		<category><![CDATA[Visas]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[approval notice]]></category>
		<category><![CDATA[artistsfromabroad]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[exceptions]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[irs]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[necessary visa]]></category>
		<category><![CDATA[petition fee]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[tax return]]></category>
		<category><![CDATA[united states citizenship and immigration services]]></category>
		<category><![CDATA[visa petition]]></category>
		<category><![CDATA[visitor visa]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4953</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear FTM: What needs to be done to bring a performing artist from a foreign country to play in a US concert? How is their pay reported to the IRS? Is withholding required? Do they have to pay taxes on the money that they earn in the US? Etc. Wow, this [...]]]></description>
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		<title>Am I Obligated To Accept Unsolicited Emails from Managers?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4864</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4864#comments</comments>
		<pubDate>Wed, 23 May 2012 04:30:30 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Non-Profits]]></category>
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		<category><![CDATA[agent]]></category>
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		<category><![CDATA[manager]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[sending emails]]></category>
		<category><![CDATA[unsolicited commercial emails]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4864</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear FTM Arts Law: I am the executive director of a well-established regional symphony orchestra. As with most orchestras, I frequently receive emails from managers and agents asking me to consider their artists. After a number of emails from the same manager all within the same week, I wrote and told [...]]]></description>
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		<title>How Do I Draft An Engagement Agreement For My Trio?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4834</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4834#comments</comments>
		<pubDate>Wed, 16 May 2012 06:02:22 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Agents]]></category>
		<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Employees]]></category>
		<category><![CDATA[Independent Contractors]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Taxes]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[Agreements]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[corporation]]></category>
		<category><![CDATA[Drafting]]></category>
		<category><![CDATA[engagement contract]]></category>
		<category><![CDATA[engagement fees]]></category>
		<category><![CDATA[fiduciary duties]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[writing contracts]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4834</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear FTM Arts Law, I am a manager who will be writing contracts on behalf of a trio. They don’t have a corporation and there is no “leader.” They just get together and perform together. How do I handle their engagement fees so that I do not look like their employer? [...]]]></description>
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