<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Mahler</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=mahler" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 04:15:38 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>The San Francisco Symphony Youth Orchestra takes the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5888</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5888#comments</comments>
		<pubDate>Fri, 06 Jul 2012 13:15:43 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alasdair Neale]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Donato Cabrera]]></category>
		<category><![CDATA[Grieg]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Lars Vogt]]></category>
		<category><![CDATA[Liam Boisset]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Michael Tilson Thomas]]></category>
		<category><![CDATA[Midori]]></category>
		<category><![CDATA[Omar Shelly]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Ronald Gallman]]></category>
		<category><![CDATA[San Francisco Symphony]]></category>
		<category><![CDATA[San Francisco Symphony Youth Orchestra]]></category>
		<category><![CDATA[Shaker Loops]]></category>
		<category><![CDATA[Sir Simon Rattle]]></category>
		<category><![CDATA[Yo-Yo Ma]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5888</guid>
		<description><![CDATA[By Rebecca Schmid A timpanist just tall enough to rumble his mallets over the kettle drums stares out from beneath his specs as Lars Vogt slides onto the bench for the opening chords of Grieg’s Piano Concerto. “I like that sound!” says Music Director Donato Cabrera to the young percussionist as he walks out into [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=5888</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hillary Hahn and Hauschka join Forces on &#8216;Silfra&#8217;; Riccardo Chailly and the Gewandhausorchester Leipzig</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4846</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4846#comments</comments>
		<pubDate>Fri, 18 May 2012 11:02:28 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Christina Landshamer]]></category>
		<category><![CDATA[concerti]]></category>
		<category><![CDATA[Deutsche Grammophon]]></category>
		<category><![CDATA[Gerschwin]]></category>
		<category><![CDATA[Gewandhausorchester Leipzig]]></category>
		<category><![CDATA[Hauschka]]></category>
		<category><![CDATA[Hélène Grimaud]]></category>
		<category><![CDATA[Hillary Hahn]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Silfra]]></category>
		<category><![CDATA[Tom Brosseau]]></category>
		<category><![CDATA[Yellow Lounge]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4846</guid>
		<description><![CDATA[By Rebecca Schmid Hillary Hahn’s taste for the unconventional has in recent years taken her career onto a trajectory unlike that of most violin prodigies. Last October, she appeared on NPR’s Tiny Desk Concert Series improvising to traditional American melodies that inspired the works of Charles Ives, donning a fedora for the occasion. She maintains [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4846</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3847</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cellphones and Their Ilk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3617</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3617#comments</comments>
		<pubDate>Wed, 18 Jan 2012 18:12:18 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Carter Brey]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Herbert von Karajan]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Newark]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Sir Thomas Beecham]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Tony Tommasini]]></category>
		<category><![CDATA[Valery Gergiev]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3617</guid>
		<description><![CDATA[by Sedgwick Clark   Many years ago I was sitting next to the p.r. director of the Berlin Philharmonic at Carnegie Hall when a cellphone went off as Simon Rattle conducted. When the piece ended I asked him if that happened in Berlin. &#8220;Everywhere,&#8221; he said sadly.    I left for vacation two days after the cellphone brouhaha at the New [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3617</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peter&#8217;s Principles</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3167</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3167#comments</comments>
		<pubDate>Fri, 04 Nov 2011 20:13:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[pr]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[Street Car Named Desire]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[verdi]]></category>
		<category><![CDATA[willy decker]]></category>
		<category><![CDATA[Zurich]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3167</guid>
		<description><![CDATA[by James Jorden “I&#8217;ve almost come to the conclusion that this Mr. Hitler isn&#8217;t a Christian,” muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3167</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Music and 9/11</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2439</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2439#comments</comments>
		<pubDate>Tue, 13 Sep 2011 13:24:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Resurrection]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2439</guid>
		<description><![CDATA[On Saturday, September 10 2011, Alan Gilbert spoke before the New York Philharmonic performed Mahler&#8217;s Symphony No. 2, Resurrection, on A Concert for New York. Following are his reflections that preceded the performance, which was telecast nationally on PBS and can be watched in full at http://www.pbs.org/wnet/gperf/episodes/a-concert-for-new-york/watch-the-fully-edited-broadcast-program-with-tom-brokaw/1182/. We are faced, on this anniversary, with the responsibility [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2439</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>