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	<title>Musical America Blogs &#187; Macabre</title>
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		<title>Afterthoughts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1737</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1737#comments</comments>
		<pubDate>Tue, 28 Jun 2011 13:24:04 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Janacek]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Vixen]]></category>

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		<description><![CDATA[By Alan Gilbert I have been thinking generally about how orchestras define themselves and, specifically, about what the New York Philharmonic means to the public we serve. Last week’s Philharmonic production of The Cunning Little Vixen was a joy to work on, and I am hugely proud of what we achieved as an institution. For [...]]]></description>
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		<title>What We&#8217;ve Been Doing Lately</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1483</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1483#comments</comments>
		<pubDate>Tue, 07 Jun 2011 15:50:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Budapest]]></category>
		<category><![CDATA[Daniel Boico]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Leipzig]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lisa Batiashvili]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sebastian Currier]]></category>

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		<description><![CDATA[By Alan Gilbert Those of us who were involved in preparing for last year’s production of Ligeti’s Le Grand Macabre are remembering the great excitement we all felt in this very same rehearsal room as we prepare for our upcoming performances of Janáček’s opera The Cunning Little Vixen, but are also amazed at how different [...]]]></description>
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