<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Liszt</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=liszt" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Infektion! ‘Europeras 3&amp;4’ and Rihm’s ‘Dionysus’ at the Staatsoper</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6029</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6029#comments</comments>
		<pubDate>Thu, 12 Jul 2012 17:56:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Akademie der Künste]]></category>
		<category><![CDATA[Alfredo Daza]]></category>
		<category><![CDATA[Carl Darlhaus]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Darmstadt]]></category>
		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[Dionysus]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Elin Rombo]]></category>
		<category><![CDATA[Esther Lee]]></category>
		<category><![CDATA[Europeras]]></category>
		<category><![CDATA[Frankfurt]]></category>
		<category><![CDATA[Günther Albers]]></category>
		<category><![CDATA[Infektion!]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabel Ostermann]]></category>
		<category><![CDATA[James Cleverton]]></category>
		<category><![CDATA[Joan La Barbara]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Jonathan Meese]]></category>
		<category><![CDATA[Jorge Jara]]></category>
		<category><![CDATA[Julia Faylenbogen]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[MärzMusik]]></category>
		<category><![CDATA[Matthias Klink]]></category>
		<category><![CDATA[Mojca Erdmann]]></category>
		<category><![CDATA[MOMA]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Nicholas Isherwood]]></category>
		<category><![CDATA[Nietzsche]]></category>
		<category><![CDATA[Pierre Audi]]></category>
		<category><![CDATA[Proserpina]]></category>
		<category><![CDATA[Qi Gong]]></category>
		<category><![CDATA[René Pape]]></category>
		<category><![CDATA[Robert Farkas]]></category>
		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[Ruhrtriennale]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Sonic Arts Lounge]]></category>
		<category><![CDATA[Sophia Simitzis]]></category>
		<category><![CDATA[Staatsoper Berlin]]></category>
		<category><![CDATA[Virpi Raisanen]]></category>
		<category><![CDATA[wagner]]></category>
		<category><![CDATA[Walkyrie]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=6029</guid>
		<description><![CDATA[By Rebecca Schmid Infektion!, the name of the Staatsoper’s annual Festival for New Music Theater could easily extend to describe the presence of John Cage in Germany this year. No other country outside the U.S. has planned as many events for his centenary of his birth, and Berlin is in some people’s minds already ‘Caged [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=6029</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1217#comments</comments>
		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[Alkan]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Benabdallah]]></category>
		<category><![CDATA[Benabdeljalil]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Clementi]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Fantaisie]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Gabetta]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Kreeger]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[repertoire]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Servais]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sonata]]></category>
		<category><![CDATA[Sorgen]]></category>
		<category><![CDATA[Variations]]></category>
		<category><![CDATA[Weill]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1217</guid>
		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1217</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>