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	<title>Musical America Blogs &#187; Ligeti</title>
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		<title>Korngold replaces Golijov; Double-Portrait of Nancarrow and Vivier</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4732</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4732#comments</comments>
		<pubDate>Fri, 04 May 2012 14:31:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Deutschland Radio]]></category>
		<category><![CDATA[Eugene Symphony]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[Holger Hettinger]]></category>
		<category><![CDATA[Korngold]]></category>
		<category><![CDATA[Laboratorium]]></category>
		<category><![CDATA[Leonidas Kavakos]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lucerne Festival Academy]]></category>
		<category><![CDATA[Nancarrow]]></category>
		<category><![CDATA[Oswaldo Golijov]]></category>
		<category><![CDATA[Patrick Crossland]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Strauss]]></category>
		<category><![CDATA[Vivier]]></category>

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		<description><![CDATA[By Rebecca Schmid While Berlin can boast its share of world premieres, the cancellation of Oswaldo Golijov’s Violin Concerto with Leonidas Kavakos and the Philharmonic last month dealt a blow to what would have been one of the most exciting events of the season. Even though the announcement came as little surprise given that he [...]]]></description>
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		<title>Afterthoughts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1737</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1737#comments</comments>
		<pubDate>Tue, 28 Jun 2011 13:24:04 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Janacek]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Vixen]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1737</guid>
		<description><![CDATA[By Alan Gilbert I have been thinking generally about how orchestras define themselves and, specifically, about what the New York Philharmonic means to the public we serve. Last week’s Philharmonic production of The Cunning Little Vixen was a joy to work on, and I am hugely proud of what we achieved as an institution. For [...]]]></description>
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		<title>What We&#8217;ve Been Doing Lately</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1483</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1483#comments</comments>
		<pubDate>Tue, 07 Jun 2011 15:50:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Budapest]]></category>
		<category><![CDATA[Daniel Boico]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Leipzig]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lisa Batiashvili]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sebastian Currier]]></category>

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		<description><![CDATA[By Alan Gilbert Those of us who were involved in preparing for last year’s production of Ligeti’s Le Grand Macabre are remembering the great excitement we all felt in this very same rehearsal room as we prepare for our upcoming performances of Janáček’s opera The Cunning Little Vixen, but are also amazed at how different [...]]]></description>
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