<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Licensing</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=licensing-and-the-performing-arts" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Ask, and Ye &#8220;May&#8221; Receive&#8230;or Not</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9109</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9109#comments</comments>
		<pubDate>Wed, 09 Jan 2013 06:25:20 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[live performances]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recitals]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=9109</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder, I am a music professor at a medium-sized state college. We have two questions with regard to live streaming some of our concerts and recitals. We, of course, have paid the ASCAP and BMI licenses/fees to cover the rights for live performances.  I believe the licensing agencies base [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=9109</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Does Original Music Exist Anymore?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8342</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8342#comments</comments>
		<pubDate>Wed, 21 Nov 2012 05:15:31 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[breach]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[karaoke nights]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[original music]]></category>
		<category><![CDATA[performance license]]></category>
		<category><![CDATA[performing music]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[public venue]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8342</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have a small venue. All 3 licensing companies are claiming I need to pay them for my karaoke and music that occurs weekly, but the bands that I have sign contracts making sure they only play their original music, nothing copyrighted. These companies have been [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=8342</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can They Dance Away With My Copyright?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7934</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7934#comments</comments>
		<pubDate>Wed, 24 Oct 2012 03:20:21 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[creative works]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance company]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[performance rights]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[playwright]]></category>
		<category><![CDATA[royalty]]></category>
		<category><![CDATA[video footage]]></category>
		<category><![CDATA[videographer]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[videotapes]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7934</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. I own the video footage of a performance by a dance company. Recently, I learned that another choreographer purchased a license from the dance company to recreate and perform the same work. However, they used a copy of my video to help in recreating the choreography. In other words, they [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7934</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can Newspapers Charge To Quote Reviews??</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6651</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6651#comments</comments>
		<pubDate>Wed, 08 Aug 2012 04:44:30 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[cannot make copies]]></category>
		<category><![CDATA[commentaries]]></category>
		<category><![CDATA[commercial context]]></category>
		<category><![CDATA[copy]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[european countries]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[photograph]]></category>
		<category><![CDATA[quotations]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=6651</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear Law &#38; Disorder: I recently came across the website of an artist management agency in Europe where they had posted the following: “The press review is temporarily not available. German newspapers Frankfurter Allgemeine Zeitung and Süddeutsche Zeitung recently started to pursue institutions and artists using texts (press reviews, interviews, commentaries [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=6651</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is That A Music License I Hear?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5710</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5710#comments</comments>
		<pubDate>Wed, 27 Jun 2012 06:05:43 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[legal responsibility]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[necessary licenses]]></category>
		<category><![CDATA[performance license]]></category>
		<category><![CDATA[performance rights]]></category>
		<category><![CDATA[performance space]]></category>
		<category><![CDATA[private party]]></category>
		<category><![CDATA[public venue]]></category>
		<category><![CDATA[wedding band]]></category>
		<category><![CDATA[wedding guests]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5710</guid>
		<description><![CDATA[By Brian Taylor Goldstein Do we legally have to have a music license if we have bands performing in our Country Club at weddings, social events, etc.? Yes. Anytime music is publically performed, either live or by playing a recording through a sound system, a “performance license” is required. A “performance license” is a fee [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=5710</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do We Need ASCAP/BMI Licenses?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4552</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4552#comments</comments>
		<pubDate>Wed, 18 Apr 2012 05:00:16 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Presenters]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[law and disorder]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performance space]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4552</guid>
		<description><![CDATA[By Brian Taylor Goldstein Hello Law and Disorder, We have met numerous times at conferences, (I love going to your sessions!) and you have been very helpful with questions about our presenting contracts. We also rent our facility and I now have a question about that side.  We recently received a letter from BMI stating [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4552</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Truth About Industry Standards</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4256</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4256#comments</comments>
		<pubDate>Wed, 21 Mar 2012 05:00:36 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[ftm]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[transaction]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4256</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear FTM Arts Law: I was recently reviewing a contract I received from an agent. When I asked for some changes, she told me that her contract was “industry standard” and that nothing could be changed because that’s the way everyone does it. In the future, I don’t want to waste [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4256</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>