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	<title>Musical America Blogs &#187; leonard bernstein</title>
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		<title>Musikfest Berlin salutes the Stars and Stripes</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7324</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7324#comments</comments>
		<pubDate>Fri, 14 Sep 2012 12:09:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Charles Ives]]></category>
		<category><![CDATA[Daniel Stabwara]]></category>
		<category><![CDATA[Emilio Pomarico]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabelle Faust]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Konzerthausorchester]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Morton Feldman]]></category>
		<category><![CDATA[Musikfest Berlin]]></category>

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		<description><![CDATA[By Rebecca Schmid Blame it on Cage. Or the Marshall Plan. It is impossible to escape the American canon as the season opens here with the Musikfest Berlin (August 31-September 18), an annual festival dedicated to 20th-century music. The event falls just as Europe’s major festivals are drawing to a close and often struggles for [...]]]></description>
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		<title>Finding Your Unique Path to Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4033</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4033#comments</comments>
		<pubDate>Thu, 23 Feb 2012 04:15:07 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4033</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to [...]]]></description>
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		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

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		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
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		<title>Peter&#8217;s Principles</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3167</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3167#comments</comments>
		<pubDate>Fri, 04 Nov 2011 20:13:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[pr]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[Street Car Named Desire]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[verdi]]></category>
		<category><![CDATA[willy decker]]></category>
		<category><![CDATA[Zurich]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3167</guid>
		<description><![CDATA[by James Jorden “I&#8217;ve almost come to the conclusion that this Mr. Hitler isn&#8217;t a Christian,” muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the [...]]]></description>
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		<title>The One-Eyed Man</title>
		<link>http://www.musicalamerica.com/mablogs/?p=754</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=754#comments</comments>
		<pubDate>Thu, 04 Nov 2010 20:34:35 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[alden]]></category>
		<category><![CDATA[cecil b demille]]></category>
		<category><![CDATA[financial times]]></category>
		<category><![CDATA[glimmerglass]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[new york city opera]]></category>
		<category><![CDATA[new york observer]]></category>
		<category><![CDATA[norma desmond]]></category>
		<category><![CDATA[quiet place]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[stephen wadsworth]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=754</guid>
		<description><![CDATA[By James Jorden The New York City Opera’s production of the Bernstein/Wadsworth A Quiet Place won what are called &#8220;mixed&#8221; reviews. A few critics hosannaed “Thanks be to Great God Lenny for smooching us once more with his plump, moist genius,” but the majority echoed Cecil B. DeMille’s tactful reaction to Norma Desmond’s bizarre comeback [...]]]></description>
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		<title>Second entry from our esteemed, don&#8217;t-make-me-do-this blogger</title>
		<link>http://www.musicalamerica.com/mablogs/?p=432</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=432#comments</comments>
		<pubDate>Thu, 26 Feb 2009 18:36:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[celesta]]></category>
		<category><![CDATA[george szell]]></category>
		<category><![CDATA[jack gottlieb]]></category>
		<category><![CDATA[karita mattila]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[pierre boulez]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[tommasini]]></category>
		<category><![CDATA[tone music]]></category>
		<category><![CDATA[tone rows]]></category>
		<category><![CDATA[vienna school]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=432</guid>
		<description><![CDATA[Why I Left Muncie. Half a dozen things to do every night without turning on a TV; Lincoln Center and Carnegie Hall a stone’s throw from home; the Sunday Times on Saturday night; MoMA and the Met; theater and film; in the good old days, record stores. This title is kind of unfair to my [...]]]></description>
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		<title>A Reluctant Blogger Joins the Fray</title>
		<link>http://www.musicalamerica.com/mablogs/?p=429</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=429#comments</comments>
		<pubDate>Tue, 24 Feb 2009 21:14:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Charles Rosen]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Elliott Carter]]></category>
		<category><![CDATA[Franz Welser-Möst]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>

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		<description><![CDATA[My publisher made me do this. I’ve always been leery of blogs, from the disgusting sound of the word to the colossal self-importance of the act. Still, I admit to a good read and insight courtesy of bloggers Alex Ross and Alan Rich, and I’m sure I’d find others out there if I took the [...]]]></description>
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