<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Landau</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=landau" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Is There a Good Way to Cancel?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2608</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2608#comments</comments>
		<pubDate>Thu, 06 Oct 2011 14:36:24 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Career Etiquette]]></category>
		<category><![CDATA[american conservatory]]></category>
		<category><![CDATA[dvorak concerto]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[personal relationship]]></category>
		<category><![CDATA[professional orchestra]]></category>
		<category><![CDATA[proper etiquette]]></category>
		<category><![CDATA[youth orchestra]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2608</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a cellist studying at an American conservatory and I try to read your blog regularly. A few weeks ago, you wrote about proper etiquette for working with a presenter in a case where a member of your ensemble is unable to [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2608</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Crossing Over to the Other Side</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2495</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2495#comments</comments>
		<pubDate>Thu, 22 Sep 2011 04:15:09 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[artist manager]]></category>
		<category><![CDATA[arts administration]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Landau]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2495</guid>
		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. Dear Edna: I read your blog regularly and am happy that you welcome questions from people of all ages and all corners of the arts world. I have worked in the orchestra sector, in the area of arts administration, for the past seven years. I [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2495</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>A Möst Rewarding Partnership</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2202</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2202#comments</comments>
		<pubDate>Thu, 28 Jul 2011 04:50:14 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[cleveland orchestra]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[jeffrey kahane]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[van cliburn competition]]></category>
		<category><![CDATA[youth orchestra]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2202</guid>
		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. In March of this year, I was invited to speak to a wonderful group of arts supporters in Pasadena, California, by the name of Metropolitan Associates. They were interested in hearing about my career in artist management and in having the opportunity to ask questions [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2202</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1217#comments</comments>
		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[Alkan]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Benabdallah]]></category>
		<category><![CDATA[Benabdeljalil]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Clementi]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Fantaisie]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Gabetta]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Kreeger]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[repertoire]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Servais]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sonata]]></category>
		<category><![CDATA[Sorgen]]></category>
		<category><![CDATA[Variations]]></category>
		<category><![CDATA[Weill]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1217</guid>
		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1217</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>