<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Kraft</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=kraft" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 04:15:38 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Afterthoughts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1737</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1737#comments</comments>
		<pubDate>Tue, 28 Jun 2011 13:24:04 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Janacek]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Vixen]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1737</guid>
		<description><![CDATA[By Alan Gilbert I have been thinking generally about how orchestras define themselves and, specifically, about what the New York Philharmonic means to the public we serve. Last week’s Philharmonic production of The Cunning Little Vixen was a joy to work on, and I am hugely proud of what we achieved as an institution. For [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1737</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Arts and Krafts</title>
		<link>http://www.musicalamerica.com/mablogs/?p=738</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=738#comments</comments>
		<pubDate>Tue, 12 Oct 2010 18:36:31 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Kraft]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=738</guid>
		<description><![CDATA[By Alan Gilbert One thing about great art is its ability to speak to a wide spectrum of humanity, and its uncanny knack for getting people with widely differing outlooks to see what they want to see in the work. This week Kraft, Magnus Lindberg&#8217;s landmark piece from 1985, has proven itself as a great [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=738</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>