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	<title>Musical America Blogs &#187; Konzerthaus Berlin</title>
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		<title>‘The Magic Flute’ regains its Classical Garb</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8286</link>
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		<pubDate>Fri, 16 Nov 2012 13:37:44 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adriane Queiroz]]></category>
		<category><![CDATA[Alina Anca]]></category>
		<category><![CDATA[Anna Lapkovskaja]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Aurelius Sängerknaben]]></category>
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		<category><![CDATA[Die Zauberflöte]]></category>
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		<category><![CDATA[Julien Salemkour]]></category>
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		<category><![CDATA[Konzerthaus Berlin]]></category>
		<category><![CDATA[Kyungho Kim]]></category>
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		<category><![CDATA[Rebecca Schmid]]></category>
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		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[Rowan Hellier]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Staatskapelle Berlin]]></category>
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		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[W.A. Mozart]]></category>

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		<description><![CDATA[By Rebecca Schmid As Regietheater becomes the norm on opera stages in Germany, it is a pleasant, if not shocking, surprise to see a production of Die Zauberflöte that looks like a throwback to the time of its world premiere. The Staatsoper Berlin has revived a 1994 staging modelled after designs by the nineteenth-century Prussian [...]]]></description>
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		<title>Drama Queen of the Year visits Berlin</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8228</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8228#comments</comments>
		<pubDate>Mon, 12 Nov 2012 11:49:47 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alan Curtis]]></category>
		<category><![CDATA[Cesti]]></category>
		<category><![CDATA[Dmitry Sinkovksy]]></category>
		<category><![CDATA[Drama Queens]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[Il Complesso Barocco]]></category>
		<category><![CDATA[Joyce DiDonato]]></category>
		<category><![CDATA[Keiser]]></category>
		<category><![CDATA[Konzerthaus Berlin]]></category>
		<category><![CDATA[Porta]]></category>
		<category><![CDATA[Virgin records]]></category>
		<category><![CDATA[Vivaldi]]></category>

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		<description><![CDATA[By Rebecca Schmid Fans of Joyce DiDonato may find it hard to fathom that one of today’s leading bel canto singers and Musical America’s Vocalist of the Year is just spreading her stardom to Germany. The Kansas native has sung only once at a Berlin opera house, performing Rosina in Il barbiere di Siviglia at [...]]]></description>
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