<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; Kitri</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=kitri" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 10:03:43 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>The Ballet World and the Star System</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1338</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1338#comments</comments>
		<pubDate>Tue, 31 May 2011 21:35:00 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Albrecht]]></category>
		<category><![CDATA[Alina Cojocaru]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Basilio]]></category>
		<category><![CDATA[David Hallberg]]></category>
		<category><![CDATA[Don Quixote]]></category>
		<category><![CDATA[Giselle]]></category>
		<category><![CDATA[Jean-Georges Noverre]]></category>
		<category><![CDATA[Kevin McKenzie]]></category>
		<category><![CDATA[Kitri]]></category>
		<category><![CDATA[Metropolitan Opera House]]></category>
		<category><![CDATA[Polina Semionova]]></category>
		<category><![CDATA[R. J. Austin]]></category>
		<category><![CDATA[The Wilis]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1338</guid>
		<description><![CDATA[In 1955 the British dance critic R. J. Austin calculated that American Ballet Theatre, whose roster of choreographers continually changed, would focus on it star dancers to solidify its reputation as a premier ballet company. Austin calculated right. Today ABT is powerful because of its stupendous dancers, whether they’re on the masthead or employed as guest artists for only a season.]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1338</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>