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	<title>Musical America Blogs &#187; kennedy center</title>
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		<title>Pursuing Two Careers Simultaneously</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3545</link>
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		<pubDate>Thu, 05 Jan 2012 03:35:59 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[arts administration]]></category>
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		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[kennedy center]]></category>
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		<description><![CDATA[   by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a composer, recently graduated with two Masters degrees, and I have chosen the administrative route for a small and ambitious organization. In your earlier column entitled “Overqualified and Underemployed”, you rightly wrote that many connections can be made working in [...]]]></description>
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		<title>Red Detachment Redux and the Cowboy Spirit</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2327</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2327#comments</comments>
		<pubDate>Fri, 05 Aug 2011 20:28:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cathy barbash]]></category>
		<category><![CDATA[edinburgh festival]]></category>
		<category><![CDATA[kennedy center]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[ministry of culture]]></category>
		<category><![CDATA[national ballet]]></category>
		<category><![CDATA[Nixon in China]]></category>
		<category><![CDATA[red detachment of women]]></category>
		<category><![CDATA[Swan Lake]]></category>
		<category><![CDATA[yellow river concerto]]></category>

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		<description><![CDATA[by Cathy Barbash For those of you who did not get enough of the Red Detachment of Women during this winter’s run of Nixon in China at the Met, the National Ballet of China will be performing excerpts of the ballet (possibly the same excerpt reinterpreted and interpolated into the opera by Mark Morris) in [...]]]></description>
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