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	<title>Musical America Blogs &#187; Juilliard</title>
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		<title>New Releases:  ‘Almost Truths and Open Deceptions’; &#8216;Opus 1&#8242;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6287</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6287#comments</comments>
		<pubDate>Fri, 27 Jul 2012 13:30:31 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Almost Truths and Open Deceptions]]></category>
		<category><![CDATA[Andrew Russo]]></category>
		<category><![CDATA[Annie Gosfield]]></category>
		<category><![CDATA[Assaff Weisman]]></category>
		<category><![CDATA[Azica Records]]></category>
		<category><![CDATA[Bartok]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[David Cossin]]></category>
		<category><![CDATA[Debussy]]></category>
		<category><![CDATA[Felix Fan]]></category>
		<category><![CDATA[Israeli Chamber Project]]></category>
		<category><![CDATA[Itamar Zorman]]></category>
		<category><![CDATA[Jorge Luis Borges]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Martinu]]></category>
		<category><![CDATA[Matan Porat]]></category>
		<category><![CDATA[Roger Kleier]]></category>
		<category><![CDATA[Saint-Saens]]></category>
		<category><![CDATA[Sivan Magen]]></category>
		<category><![CDATA[Tchaikovsky Competition]]></category>
		<category><![CDATA[The Pearls Before Swine Experience]]></category>
		<category><![CDATA[Tibi Cziger]]></category>
		<category><![CDATA[Tzadik Records]]></category>

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		<description><![CDATA[By Rebecca Schmid The New York-based composer Annie Gosfield is best known for her synthesis of industrial sounds and other unconventional sampling into rock-inflected, yet often intricately wrought, compositions. As a fellow at the American Academy in Berlin last semester, she researched encrypted radio broadcasts from World War Two—part of a long-standing fascination with archaic [...]]]></description>
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		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
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		<title>Omus in Person</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3775</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3775#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:50:28 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Aaron Kernis]]></category>
		<category><![CDATA[Alicia de Larrocha]]></category>
		<category><![CDATA[Allan Kozinn]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Brian Kellow]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christopher Hunt]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Deborah Borda]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Jane Moss]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kirk Varnedoe]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mary Lou Falcone]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Town Hall]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3775</guid>
		<description><![CDATA[by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should [...]]]></description>
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		<title>You Don&#8217;t Know Me, But&#8230;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3636</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3636#comments</comments>
		<pubDate>Thu, 19 Jan 2012 04:15:44 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Astor Piazzolla]]></category>
		<category><![CDATA[Benjamin Britten]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Gallagher]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3636</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I’m an artist sending out letters of inquiry to a handful of presenters. Can you give me an example of an inquiry letter you might send, as an artist, to a concert series or presenter when proposing a concert? &#8212;Kimball Gallagher Dear Kimball: [...]]]></description>
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		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

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		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
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		<title>Is There a Network of House Concerts?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3489</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3489#comments</comments>
		<pubDate>Thu, 15 Dec 2011 04:17:03 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Dr. Daniel Kuhn]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Fran Snyder]]></category>
		<category><![CDATA[Hilary Hahn]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Michael Palm]]></category>
		<category><![CDATA[Michael Reingold]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3489</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I have been told by many of my musician friends that it is very gratifying and helpful to perform in house concerts because they allow for direct communication with a small and appreciative audience and an opportunity to play through repertoire in an [...]]]></description>
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