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	<title>Musical America Blogs &#187; John Adams</title>
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		<title>Musikfest Berlin salutes the Stars and Stripes</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7324</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7324#comments</comments>
		<pubDate>Fri, 14 Sep 2012 12:09:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Charles Ives]]></category>
		<category><![CDATA[Daniel Stabwara]]></category>
		<category><![CDATA[Emilio Pomarico]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabelle Faust]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Konzerthausorchester]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Morton Feldman]]></category>
		<category><![CDATA[Musikfest Berlin]]></category>

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		<description><![CDATA[By Rebecca Schmid Blame it on Cage. Or the Marshall Plan. It is impossible to escape the American canon as the season opens here with the Musikfest Berlin (August 31-September 18), an annual festival dedicated to 20th-century music. The event falls just as Europe’s major festivals are drawing to a close and often struggles for [...]]]></description>
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		<title>The San Francisco Symphony Youth Orchestra takes the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5888</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5888#comments</comments>
		<pubDate>Fri, 06 Jul 2012 13:15:43 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alasdair Neale]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Donato Cabrera]]></category>
		<category><![CDATA[Grieg]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Lars Vogt]]></category>
		<category><![CDATA[Liam Boisset]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Michael Tilson Thomas]]></category>
		<category><![CDATA[Midori]]></category>
		<category><![CDATA[Omar Shelly]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Ronald Gallman]]></category>
		<category><![CDATA[San Francisco Symphony]]></category>
		<category><![CDATA[San Francisco Symphony Youth Orchestra]]></category>
		<category><![CDATA[Shaker Loops]]></category>
		<category><![CDATA[Sir Simon Rattle]]></category>
		<category><![CDATA[Yo-Yo Ma]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5888</guid>
		<description><![CDATA[By Rebecca Schmid A timpanist just tall enough to rumble his mallets over the kettle drums stares out from beneath his specs as Lars Vogt slides onto the bench for the opening chords of Grieg’s Piano Concerto. “I like that sound!” says Music Director Donato Cabrera to the young percussionist as he walks out into [...]]]></description>
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		<title>Choosing the Right Moment</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2422</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2422#comments</comments>
		<pubDate>Thu, 08 Sep 2011 04:15:00 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[american music center]]></category>
		<category><![CDATA[artistic administrator]]></category>
		<category><![CDATA[bit]]></category>
		<category><![CDATA[Ed Yim]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Steve Reich]]></category>

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		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: As it is now late August and booking season is heading our way, I was wondering when you think is the best time to catch orchestra executive directors. I will be sending out materials through regular mail and e-mail. If I move [...]]]></description>
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		<title>Mostly Mozart/Some Stravinsky</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2343</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2343#comments</comments>
		<pubDate>Fri, 12 Aug 2011 08:50:57 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[anythingâ]]></category>
		<category><![CDATA[Berio]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[Charles Kuralt]]></category>
		<category><![CDATA[choreographer pina bausch]]></category>
		<category><![CDATA[Dumbarton]]></category>
		<category><![CDATA[Finnissy]]></category>
		<category><![CDATA[hungarian radio]]></category>
		<category><![CDATA[Jeremy Denk]]></category>
		<category><![CDATA[jessye norman]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[julie taymor]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mark Swed]]></category>
		<category><![CDATA[Murray Perahia]]></category>
		<category><![CDATA[Oedipus]]></category>
		<category><![CDATA[oedipus rex]]></category>
		<category><![CDATA[Ozawa]]></category>
		<category><![CDATA[sacre du printemps]]></category>
		<category><![CDATA[Schnittke]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[théâtre des champs elysées]]></category>

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		<description><![CDATA[by Sedgwick Clark Lincoln Center’s attempt to add variety to Mostly Moz is just fine with me, especially if the variety is Stravinsky. Audiences seem to agree too, for a Saturday afternoon of Stravinsky films and two concerts of his chamber music by the spiffy International Contemporary Ensemble (ICE) were packed. The first of the [...]]]></description>
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		<title>In Praise of …</title>
		<link>http://www.musicalamerica.com/mablogs/?p=769</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=769#comments</comments>
		<pubDate>Tue, 16 Nov 2010 21:28:01 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Bell]]></category>
		<category><![CDATA[Elijah]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Kavakos]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[Midori]]></category>
		<category><![CDATA[Mutter]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[Zukerman]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=769</guid>
		<description><![CDATA[By Alan Gilbert I&#8217;ve often spoken about the uniquely awesome capacity of the New York Philharmonic, but I really must tip my hat to the musicians for what they have done over the last few weeks. From Sunday, October 24, through Thursday, November 4, we were on tour in Europe, playing in familiar cities, such [...]]]></description>
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		<title>Critics&#8217; Choice: US West Coast</title>
		<link>http://www.musicalamerica.com/mablogs/?page_id=521</link>
		<comments>http://www.musicalamerica.com/mablogs/?page_id=521#comments</comments>
		<pubDate>Mon, 21 Sep 2009 14:16:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Benaroya Hall]]></category>
		<category><![CDATA[Esa-Pekka Salonen]]></category>
		<category><![CDATA[Gerard Schwarz]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[Los Angeles Opera]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?page_id=521</guid>
		<description><![CDATA[Compiled and annotated by Richard S. Ginell 7 – 8 September, 2011 Davies Symphony Hall, Civic Center Plaza. San Francisco Symphony. Fanfare for a New Century. Michael Tilson Thomas The San Francisco Symphony celebrates its centennial season in 2011-12, kicking it off with a combination of high-society pomp and public-spirited populism.  The Opening Gala in [...]]]></description>
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