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	<title>Musical America Blogs &#187; james jorden</title>
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		<title>Angela Meade makes Berlin Debut; Peaches takes Opera Underground</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4796</link>
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		<pubDate>Fri, 11 May 2012 12:02:15 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Armin Gramer]]></category>
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		<description><![CDATA[By Rebecca Schmid The Deutsche Oper maintains a dedicated West Berlin following not only for its provocative stagings but sober concert operas showcasing star singers. Of nine “premieres” this season, four are in concert, and in the best scenario feature works known for their dramaturgical weaknesses. The house claimed in a press conference last season [...]]]></description>
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		<title>Twilight of the Machine</title>
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		<pubDate>Fri, 03 Feb 2012 21:48:34 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
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		<description><![CDATA[By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.  Now, this is not to say that [...]]]></description>
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		<title>Peter&#8217;s Principles</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3167</link>
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		<pubDate>Fri, 04 Nov 2011 20:13:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
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		<description><![CDATA[by James Jorden “I&#8217;ve almost come to the conclusion that this Mr. Hitler isn&#8217;t a Christian,” muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the [...]]]></description>
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		<title>Proof of Concept</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2503</link>
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		<pubDate>Thu, 22 Sep 2011 14:32:03 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[broadway baby]]></category>
		<category><![CDATA[broadway revival]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[william christie]]></category>

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		<description><![CDATA[BY JAMES JORDEN Two monochromatic color schemes, two towering box sets, two wardrobes of lavish period costumes, two ensemble casts, two authentic orchestras—even two brightly-colored dream sequences: There are more than a few superficial similarities between two big-scale revivals playing in New York this week: Atys at BAM and Follies at the Marquis Theater on [...]]]></description>
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