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	<title>Musical America Blogs &#187; James Conlon</title>
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		<title>Cavalleria Rusticana: Easter in Rome</title>
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		<pubDate>Thu, 12 Apr 2012 01:01:26 +0000</pubDate>
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				<category><![CDATA[A Rich Possession]]></category>
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		<description><![CDATA[“There is no disputing taste,” “fashions change,” “to each his own,” and &#8220;vive la difference.&#8221; Certain pieces come in and out of the classical music repertory, while others never get a foothold; still others seem omnipresent. Classical music institutions today have to grapple with balancing repertory over the course of years, to make sure everything that [...]]]></description>
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		<title>Charles Anthony, No Unsung Hero</title>
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		<description><![CDATA[by James Conlon On February 15, one of the great men of opera passed away. Charles Anthony will be long remembered for the stunning statistics of his career at the Metropolitan Opera: 2,928 performances of 111 roles in 69 operas in 57 years. He appeared there more than any other artist in the Met’s history. [...]]]></description>
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		<title>A Peculiarly American Paradox</title>
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		<pubDate>Tue, 31 Jan 2012 02:18:14 +0000</pubDate>
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		<description><![CDATA[by James Conlon Gore Vidal once observed that at a certain age writers turn to politics or alcohol. I am a musician and am turning to neither, but in recent years have found, conversely, an increasing satisfaction through writing. For that reason I welcomed the invitation from MusicalAmerica.com to write a blog on a somewhat regular [...]]]></description>
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