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	<title>Musical America Blogs &#187; J.S. Bach</title>
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		<title>A Dance Labyrinth by Kyle Abraham</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8221</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8221#comments</comments>
		<pubDate>Mon, 12 Nov 2012 02:48:38 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Benjamin Britton]]></category>
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		<category><![CDATA[J.S. Bach]]></category>
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		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[Pavement]]></category>
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		<description><![CDATA[The world premiere of Kyle Abraham’s Pavement, seen at the Harlem Stage Gatehouse on November 3, evokes a vision of urban youth careening through a dark world. Abraham begins Pavement by marking a spot with his downcast arm.  Then he lassoes his body, drawing a circle with his outstretched limbs. He moves loose, full force and in searching manner, as if looking for a clear compass. When a white dancer enters, he stops Abraham, lies him face down on the floor, and brings his hands to the base of his spine. Abraham’s arrest is done without emotion. This lack of drama makes the event feel doubly devastating.]]></description>
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		<title>Bachfest Leipzig’s Musical Offerings; Radiale Nacht with Colin Jacobsen and Alisa Weilerstein</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5341</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5341#comments</comments>
		<pubDate>Fri, 15 Jun 2012 17:24:01 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
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		<description><![CDATA[By Rebecca Schmid The motto of this year’s Bachfest Leipzig, “…ein neues Lied” (a new song), could not be a more fitting choice to honor J.S. Bach’s legacy in the city where he spent his final 27 years as cantor. Upon arriving in 1723, he set out to write a cantata every week, enlisting as scribes [...]]]></description>
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		<title>The joys of the ballet spoof</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3719</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3719#comments</comments>
		<pubDate>Thu, 26 Jan 2012 22:13:52 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
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		<category><![CDATA[concerto in d minor for two violins]]></category>
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		<description><![CDATA[There is nothing like a good ballet spoof. At New York City Ballet’s January 21 matinee performance, the company danced at Lincoln Center Jerome Robbins’ “The Concert” (1956). Whether you get the inside jokes regarding specific ballets, Robbins’s jabs at ballet traditions—the good, bad and the ugly—directly communicate. ]]></description>
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