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	<title>Musical America Blogs &#187; il trovatore</title>
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		<title>Plonk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7610</link>
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		<pubDate>Sun, 30 Sep 2012 06:06:57 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[beni montresor]]></category>
		<category><![CDATA[Dmitri Tcherniakov]]></category>
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		<category><![CDATA[il trovatore]]></category>
		<category><![CDATA[Mariusz Kwiecien]]></category>
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		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[South Pacific]]></category>
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		<description><![CDATA[By James Jorden Of hundreds of juicy anecdotes in Ken Mandelbaum’s indispensable volume Not Since Carrie: 40 Years of Broadway Flops, one stands out perhaps a little more than the others. It’s about a show called Reuben Reuben which closed out of town in 1955. This was a through-composed absurdist piece by Mark Blitzstein, and [...]]]></description>
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		<title>Time Bandits</title>
		<link>http://www.musicalamerica.com/mablogs/?p=765</link>
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		<pubDate>Fri, 12 Nov 2010 16:37:05 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bizet]]></category>
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		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[goya]]></category>
		<category><![CDATA[il trovatore]]></category>
		<category><![CDATA[lincoln center]]></category>
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		<category><![CDATA[richard eyre]]></category>
		<category><![CDATA[verdi]]></category>

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		<description><![CDATA[By James Jorden When stage directors decide to intervene (as opposed to merely curating) there are a number of approaches they can take: deconstruction, gloss on the text, invention of an entirely new narrative. Or they can take the somewhat safer route of changing the epoch of the action, setting La bohème during World War [...]]]></description>
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