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	<title>Musical America Blogs &#187; Gil Shaham</title>
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		<title>Is there an artist in the house?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8649</link>
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		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
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		<category><![CDATA[Peter McClintock]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

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		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>“We Didn’t Hear the Same Concert”</title>
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		<pubDate>Wed, 21 Mar 2012 15:37:11 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Bates]]></category>
		<category><![CDATA[Cowell]]></category>
		<category><![CDATA[David Del Tredici]]></category>
		<category><![CDATA[David Oistrakh]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Jeff Spurgeon]]></category>
		<category><![CDATA[Lou Harrison]]></category>
		<category><![CDATA[Lukas Foss]]></category>
		<category><![CDATA[Michael Tilson]]></category>
		<category><![CDATA[Morton Subotnick]]></category>
		<category><![CDATA[Murray Perahia]]></category>
		<category><![CDATA[nyphil]]></category>
		<category><![CDATA[Rachel Barton Pine]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

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		<description><![CDATA[by Sedgwick Clark That’s a traditional reader complaint. But it happens to critics too. Russian violinist Vadim Repin and Lithuanian pianist Itamar Golan have solid careers, and their program last Saturday evening (3/17) in Alice Tully Hall was an enticing selection of works by Janáček, Ravel, Grieg, and Chausson. From mid-parquet I found Repin’s sound [...]]]></description>
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