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	<title>Musical America Blogs &#187; Eva Pasquier-</title>
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		<title>Impressions from the Green Hill: Tattoos, Rats and Embryos</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6921</link>
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		<pubDate>Fri, 24 Aug 2012 04:20:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[bayreuth festival]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[berliner volksbühne]]></category>
		<category><![CDATA[Christa Mayer]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Deutsche Oper]]></category>
		<category><![CDATA[Eva Pasquier-]]></category>
		<category><![CDATA[flying dutchman]]></category>
		<category><![CDATA[Frank Castorf]]></category>
		<category><![CDATA[german theatre]]></category>
		<category><![CDATA[jan philipp]]></category>
		<category><![CDATA[katharina wagner]]></category>

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		<description><![CDATA[By Rebecca Schmid The Bayreuth Festival has had its share of scandal to contend with as Wagner&#8217;s bicentenary approaches next season. An international investigation into exclusive ticketing practices; the publicized struggle to find the director for a new Ring cycle; administrative policies that have reportedly shortened rehearsal time; widely reviled productions; and—most recently—the last-minute withdrawal [...]]]></description>
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