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	<title>Musical America Blogs &#187; elina garanca</title>
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		<title>Is there an artist in the house?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8649</link>
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		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
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		<category><![CDATA[Peter McClintock]]></category>
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		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

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		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>Time Bandits</title>
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		<pubDate>Fri, 12 Nov 2010 16:37:05 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bizet]]></category>
		<category><![CDATA[carmen]]></category>
		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[elina garanca]]></category>
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		<category><![CDATA[richard eyre]]></category>
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		<description><![CDATA[By James Jorden When stage directors decide to intervene (as opposed to merely curating) there are a number of approaches they can take: deconstruction, gloss on the text, invention of an entirely new narrative. Or they can take the somewhat safer route of changing the epoch of the action, setting La bohème during World War [...]]]></description>
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