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	<title>Musical America Blogs &#187; Dvorak</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
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		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Gauguin]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>Rediscovered Voices in the Studio: ‘Es geht wohl anders’ and ‘Czech Flute Music’</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6804</link>
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		<pubDate>Sun, 19 Aug 2012 22:53:59 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
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		<category><![CDATA[Avie Records]]></category>
		<category><![CDATA[Charles Abramovic]]></category>
		<category><![CDATA[Christian Immler]]></category>
		<category><![CDATA[Danny Driver]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Exilarte]]></category>
		<category><![CDATA[Feld]]></category>
		<category><![CDATA[Jeffrey Khaner]]></category>
		<category><![CDATA[Martinu]]></category>
		<category><![CDATA[Rebecca Nelsen]]></category>
		<category><![CDATA[Schulhoff]]></category>
		<category><![CDATA[The Washington Post]]></category>
		<category><![CDATA[Walter Arlen]]></category>

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		<description><![CDATA[by Rebecca Schmid The historical forces that decide which composers enter the canon often seem beyond our control. Why Brahms should become hackneyed while chamber music enthusiasts are not familiar with the name Martinu continues to frustrate musicians and critics alike, and yet a refreshing trend seems to be emerging. As Anne Midgette writes this [...]]]></description>
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