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	<title>Musical America Blogs &#187; Doug Fitch</title>
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		<title>What We&#8217;ve Been Doing Lately</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1483</link>
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		<pubDate>Tue, 07 Jun 2011 15:50:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Budapest]]></category>
		<category><![CDATA[Daniel Boico]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Leipzig]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lisa Batiashvili]]></category>
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		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sebastian Currier]]></category>

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		<description><![CDATA[By Alan Gilbert Those of us who were involved in preparing for last year’s production of Ligeti’s Le Grand Macabre are remembering the great excitement we all felt in this very same rehearsal room as we prepare for our upcoming performances of Janáček’s opera The Cunning Little Vixen, but are also amazed at how different [...]]]></description>
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		<title>Paris Pelleas Project</title>
		<link>http://www.musicalamerica.com/mablogs/?p=774</link>
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		<pubDate>Tue, 30 Nov 2010 15:10:22 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Melisande]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Pelleas]]></category>

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		<description><![CDATA[By Alan Gilbert For many years I have been speaking about the idea of introducing a visual element to the auditory core of a concert with Doug Fitch, my friend and frequent collaborator. It&#8217;s a tricky matter as it is far from evident how to do so in a way that enhances the experience &#8211; [...]]]></description>
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