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	<title>Musical America Blogs &#187; Deborah Voigt</title>
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		<title>Twilight of the Machine</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3827</link>
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		<pubDate>Fri, 03 Feb 2012 21:48:34 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Anthony Tommasini]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[wagner]]></category>

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		<description><![CDATA[By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.  Now, this is not to say that [...]]]></description>
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		<title>Ring Recycle</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3243</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3243#comments</comments>
		<pubDate>Fri, 18 Nov 2011 22:44:48 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[ann ziff]]></category>
		<category><![CDATA[benedikt von peter]]></category>
		<category><![CDATA[blogs]]></category>
		<category><![CDATA[blu-ray]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[eva-maria westbroek]]></category>
		<category><![CDATA[fabio luisi]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[gwyneth jones]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[james levine]]></category>
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		<category><![CDATA[julian crouch]]></category>
		<category><![CDATA[lady gaga]]></category>
		<category><![CDATA[lehman's syndrome]]></category>
		<category><![CDATA[martin kusej]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[phelim mcdermott]]></category>
		<category><![CDATA[pundits]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[richard croft]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[satyagraha]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[the enchanted island]]></category>
		<category><![CDATA[the fortress of solitude]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

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		<description><![CDATA[By James Jorden Now that it has become apparent that Robert Lepage&#8217;s production of the Ring at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone yet, and since, let&#8217;s face it, [...]]]></description>
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		<title>Do We Take Ourselves Too Seriously?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3194</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3194#comments</comments>
		<pubDate>Thu, 10 Nov 2011 04:15:17 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Communicating with Your Audience]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[Zankel]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. A few nights ago, I attended a musical evening of sorts—not at Carnegie Hall or Lincoln Center but at Carolines Comedy Club in New York City. Intrigued by the advertisements I heard on radio station WQXR for its Classical Comedy Contest, I bought two tickets, [...]]]></description>
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		<title>Ruminations and reflections, Lyonnais</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2973</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2973#comments</comments>
		<pubDate>Mon, 17 Oct 2011 14:52:07 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Andrea Bocelli]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Christopher Plummer]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[John Corigliano]]></category>
		<category><![CDATA[Lyons]]></category>

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		<description><![CDATA[By Alan Gilbert I’ve recently tried my hand at acrylic painting, and just bought a how-to book that stresses the overriding importance of composition — i.e. form and the use of spatial elements — in a successful work of art. By that measure, I can tell you right now that this blog entry will not [...]]]></description>
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		<title>Horse play</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1172</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1172#comments</comments>
		<pubDate>Thu, 19 May 2011 17:46:21 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[frammistans]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

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		<description><![CDATA[By James Jorden The critics&#8217; reaction to Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the [...]]]></description>
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		<title>Untrue West</title>
		<link>http://www.musicalamerica.com/mablogs/?p=783</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=783#comments</comments>
		<pubDate>Fri, 10 Dec 2010 20:54:57 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[Marcello Giordani]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[Mrs. Donald Harrington]]></category>
		<category><![CDATA[naturalism]]></category>
		<category><![CDATA[Plácido Domingo]]></category>
		<category><![CDATA[puccini]]></category>

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		<description><![CDATA[By James Jorden Of course it’s insanity in the current financial climate to suggest that the Met should have done a new production of La fanciulla del West this year, even though it&#8217;s a very special case: the centennial of the work&#8217;s world premiere, which was also the Met&#8217;s first world premiere. In fact, to [...]]]></description>
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