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	<title>Musical America Blogs &#187; Daniel Barenboim</title>
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		<title>‘The Magic Flute’ regains its Classical Garb</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8286</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8286#comments</comments>
		<pubDate>Fri, 16 Nov 2012 13:37:44 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
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		<category><![CDATA[Adriane Queiroz]]></category>
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		<category><![CDATA[The Magic Flute]]></category>
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		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8286</guid>
		<description><![CDATA[By Rebecca Schmid As Regietheater becomes the norm on opera stages in Germany, it is a pleasant, if not shocking, surprise to see a production of Die Zauberflöte that looks like a throwback to the time of its world premiere. The Staatsoper Berlin has revived a 1994 staging modelled after designs by the nineteenth-century Prussian [...]]]></description>
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		<title>Infektion! ‘Europeras 3&amp;4’ and Rihm’s ‘Dionysus’ at the Staatsoper</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6029</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6029#comments</comments>
		<pubDate>Thu, 12 Jul 2012 17:56:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
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		<category><![CDATA[Alfredo Daza]]></category>
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		<category><![CDATA[Die Zauberflöte]]></category>
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		<category><![CDATA[Don Giovanni]]></category>
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		<category><![CDATA[Esther Lee]]></category>
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		<category><![CDATA[Günther Albers]]></category>
		<category><![CDATA[Infektion!]]></category>
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		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=6029</guid>
		<description><![CDATA[By Rebecca Schmid Infektion!, the name of the Staatsoper’s annual Festival for New Music Theater could easily extend to describe the presence of John Cage in Germany this year. No other country outside the U.S. has planned as many events for his centenary of his birth, and Berlin is in some people’s minds already ‘Caged [...]]]></description>
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		<title>Claus Guth&#8217;s Forest-bound &#8216;Don Giovanni&#8217; at the Staatsoper; Musikfestspiele Potsdam&#8217;s new Pleasure Garden</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5768</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5768#comments</comments>
		<pubDate>Fri, 29 Jun 2012 12:01:35 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
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		<category><![CDATA[Water Music]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5768</guid>
		<description><![CDATA[By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th [...]]]></description>
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		<title>Festtage 2012 as Barenboim Fiesta</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4533</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4533#comments</comments>
		<pubDate>Fri, 13 Apr 2012 13:06:07 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alisa Weilerstein]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Festtage]]></category>
		<category><![CDATA[Filarmonica della Scala]]></category>
		<category><![CDATA[Staatskapelle Berlin]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4533</guid>
		<description><![CDATA[By Rebecca Schmid The Staatsoper’s annual spring Festtage has become an even more distinguished event now that Daniel Barenboim serves as music director to La Scala in addition to his Berlin opera house. The festival, originally launched by the maestro in 1996 with Harry Kupfer’s Ring, features coveted soloists and premiere productions, as well as [...]]]></description>
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		<title>Opening words…</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4470</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4470#comments</comments>
		<pubDate>Thu, 05 Apr 2012 15:52:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Beethoven]]></category>
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		<category><![CDATA[DAAD]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Karl Scheffler]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Offenbach]]></category>
		<category><![CDATA[Potsdamer Platz]]></category>
		<category><![CDATA[wagner]]></category>
		<category><![CDATA[Zürich Mozart]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4470</guid>
		<description><![CDATA[By Rebecca Schmid The author Karl Scheffler famously described Berlin as condemned to forever becoming but never being. When I arrived here nearly two years ago as a DAAD grantee in journalism, the city sprawled out like an unfinished collage. The Philharmonie on the gleaming, rebuilt Potsdamer Platz where I heard Daniel Barenboim perform and [...]]]></description>
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