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	<title>Musical America Blogs &#187; copyright</title>
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		<title>Ask, and Ye &#8220;May&#8221; Receive&#8230;or Not</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9109</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9109#comments</comments>
		<pubDate>Wed, 09 Jan 2013 06:25:20 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
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		<category><![CDATA[Brian Taylor]]></category>
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		<category><![CDATA[copyright]]></category>
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		<category><![CDATA[Goldstein]]></category>
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		<category><![CDATA[live performance]]></category>
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		<category><![CDATA[permission]]></category>
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		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder, I am a music professor at a medium-sized state college. We have two questions with regard to live streaming some of our concerts and recitals. We, of course, have paid the ASCAP and BMI licenses/fees to cover the rights for live performances.  I believe the licensing agencies base [...]]]></description>
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		<title>Can We Loan Sheet Music?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8544</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8544#comments</comments>
		<pubDate>Wed, 28 Nov 2012 05:02:04 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Non-Profits]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[community orchestras]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[copyrightable material]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[Liable]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[orchestral performances]]></category>
		<category><![CDATA[orchestras]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[sheet music]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8544</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: May we loan music that we own for orchestral performances by other non-profit organizations (schools, community orchestras, etc? Would the other group still need to obtain performing/recording permissions? Could we be liable if they don’t? It depends how define “own.” If by “own”, you mean that [...]]]></description>
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		<title>Does Original Music Exist Anymore?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8342</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8342#comments</comments>
		<pubDate>Wed, 21 Nov 2012 05:15:31 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Liability]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Venues]]></category>
		<category><![CDATA[ascap]]></category>
		<category><![CDATA[bmi]]></category>
		<category><![CDATA[breach]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[karaoke nights]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[original music]]></category>
		<category><![CDATA[performance license]]></category>
		<category><![CDATA[performing music]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[public venue]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8342</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have a small venue. All 3 licensing companies are claiming I need to pay them for my karaoke and music that occurs weekly, but the bands that I have sign contracts making sure they only play their original music, nothing copyrighted. These companies have been [...]]]></description>
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		<title>Can They Dance Away With My Copyright?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7934</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7934#comments</comments>
		<pubDate>Wed, 24 Oct 2012 03:20:21 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[choreographer]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[creative works]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[dance company]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[performance rights]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[playwright]]></category>
		<category><![CDATA[royalty]]></category>
		<category><![CDATA[video footage]]></category>
		<category><![CDATA[videographer]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[videotapes]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7934</guid>
		<description><![CDATA[By Brian Taylor Goldstein, Esq. I own the video footage of a performance by a dance company. Recently, I learned that another choreographer purchased a license from the dance company to recreate and perform the same work. However, they used a copy of my video to help in recreating the choreography. In other words, they [...]]]></description>
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		<title>Listen To Your Mother and Get It In Writing!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7105</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7105#comments</comments>
		<pubDate>Wed, 05 Sep 2012 05:31:23 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[Music Rights]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[Recordings]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[contract]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[musician]]></category>
		<category><![CDATA[ownership]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[recording]]></category>
		<category><![CDATA[release]]></category>
		<category><![CDATA[royalties]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7105</guid>
		<description><![CDATA[By Brian Taylor Goldstein Can you answer this question for us?  My soon to be son-in-law is a musician. He has written and recorded many songs, and is producing his first CD.  One of the songs on the CD, he had a female friend sing with him.  If he plans to put this song on [...]]]></description>
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		<title>Can Newspapers Charge To Quote Reviews??</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6651</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6651#comments</comments>
		<pubDate>Wed, 08 Aug 2012 04:44:30 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Artist Management]]></category>
		<category><![CDATA[Arts Management]]></category>
		<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
		<category><![CDATA[Licensing]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[Brian Taylor]]></category>
		<category><![CDATA[cannot make copies]]></category>
		<category><![CDATA[commentaries]]></category>
		<category><![CDATA[commercial context]]></category>
		<category><![CDATA[copy]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[copyright infringement]]></category>
		<category><![CDATA[european countries]]></category>
		<category><![CDATA[Goldstein]]></category>
		<category><![CDATA[license]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[permission]]></category>
		<category><![CDATA[photograph]]></category>
		<category><![CDATA[quotations]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=6651</guid>
		<description><![CDATA[By Brian Taylor Goldstein Dear Law &#38; Disorder: I recently came across the website of an artist management agency in Europe where they had posted the following: “The press review is temporarily not available. German newspapers Frankfurter Allgemeine Zeitung and Süddeutsche Zeitung recently started to pursue institutions and artists using texts (press reviews, interviews, commentaries [...]]]></description>
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