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	<title>Musical America Blogs &#187; classical music</title>
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		<title>Finding Your Unique Path to Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4033</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4033#comments</comments>
		<pubDate>Thu, 23 Feb 2012 04:15:07 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[young artist]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to [...]]]></description>
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		<title>Omus in Person</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3775</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3775#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:50:28 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Aaron Kernis]]></category>
		<category><![CDATA[Alicia de Larrocha]]></category>
		<category><![CDATA[Allan Kozinn]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Brian Kellow]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christopher Hunt]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Deborah Borda]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Jane Moss]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kirk Varnedoe]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mary Lou Falcone]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Town Hall]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3775</guid>
		<description><![CDATA[by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should [...]]]></description>
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		<title>The Secret Ingredient for Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3703</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3703#comments</comments>
		<pubDate>Thu, 26 Jan 2012 04:15:39 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Communicating with Your Audience]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. I was recently honored to be asked to participate on a panel at the annual Astral Artists auditions, during which I listened to a substantial number of pianists and wind players. While all were on a rather high level, I was struck by the relatively [...]]]></description>
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		<title>Is There a Network of House Concerts?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3489</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3489#comments</comments>
		<pubDate>Thu, 15 Dec 2011 04:17:03 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Dr. Daniel Kuhn]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Fran Snyder]]></category>
		<category><![CDATA[Hilary Hahn]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Michael Palm]]></category>
		<category><![CDATA[Michael Reingold]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3489</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I have been told by many of my musician friends that it is very gratifying and helpful to perform in house concerts because they allow for direct communication with a small and appreciative audience and an opportunity to play through repertoire in an [...]]]></description>
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		<title>Getting to Know You (writing a good bio)</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1350</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1350#comments</comments>
		<pubDate>Thu, 02 Jun 2011 04:15:51 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Publicity and Promotion]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[repertoire]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1350</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Please note that in the months of June, July and August, I will be posting new entries to this blog on a bi-weekly basis. I am grateful to all of you for your interest in “Ask Edna” and wish you a very pleasant summer. Dear [...]]]></description>
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		<title>Three for Regie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=830</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=830#comments</comments>
		<pubDate>Fri, 28 Jan 2011 21:37:17 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[blogs]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[marina poplavskaya]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=830</guid>
		<description><![CDATA[By James Jorden Instead of beating my brains out trying to make sense of the comings and goings in the final act of Simon Boccanegra at the Met (or am I just deluded to find it unlikely that convicted rebels should be marched to their execution through the Doge&#8217;s unguarded council chamber?), I thought this [...]]]></description>
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		<title>Beyond the Bathrobe</title>
		<link>http://www.musicalamerica.com/mablogs/?p=743</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=743#comments</comments>
		<pubDate>Fri, 22 Oct 2010 04:01:33 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[enrico caruso]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[leather trench coats]]></category>
		<category><![CDATA[luc bondy]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[standing room]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=743</guid>
		<description><![CDATA[By James Jorden It’s the laziest of journalistic tropes to lead off with &#8220;this guy I know says&#8230;&#8221; but in this case the guy in question has provided me with what I consider a really handy peg for a first column on opera stage direction. Anyway, this guy—who’s in his 70s now, a retired opera [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>A Reluctant Blogger Joins the Fray</title>
		<link>http://www.musicalamerica.com/mablogs/?p=429</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=429#comments</comments>
		<pubDate>Tue, 24 Feb 2009 21:14:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Charles Rosen]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Elliott Carter]]></category>
		<category><![CDATA[Franz Welser-Möst]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=429</guid>
		<description><![CDATA[My publisher made me do this. I’ve always been leery of blogs, from the disgusting sound of the word to the colossal self-importance of the act. Still, I admit to a good read and insight courtesy of bloggers Alex Ross and Alan Rich, and I’m sure I’d find others out there if I took the [...]]]></description>
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