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	<title>Musical America Blogs &#187; City Center</title>
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		<title>The Powerful P&#8217;s: Paco Peña and Paul Taylor</title>
		<link>http://www.musicalamerica.com/mablogs/?p=882</link>
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		<pubDate>Tue, 01 Mar 2011 15:36:59 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Angel Munoz]]></category>
		<category><![CDATA[Annmaria Mazzini]]></category>
		<category><![CDATA[City Center]]></category>
		<category><![CDATA[Paco Pena Dance Festival]]></category>
		<category><![CDATA[Paul Taylor Dance Company]]></category>
		<category><![CDATA[Town Hall]]></category>

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		<description><![CDATA[By Rachel Straus A dance work that can express a rainbow&#8217;s spectrum of emotions is a marvel. More mysterious is that an identical set of motions—done softly and then forcefully—can convey opposite meanings. Last week’s New York performances by Paco Peña Flamenco Dance Company (Town Hall, February 24) and the Paul Taylor Dance Company (City [...]]]></description>
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		<title>Musical Pointe Shoes: New Chamber Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=858</link>
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		<pubDate>Mon, 07 Feb 2011 16:32:18 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Afternoon of a Faun]]></category>
		<category><![CDATA[City Center]]></category>
		<category><![CDATA[Emily LeCrone]]></category>
		<category><![CDATA[Miro Magloire]]></category>
		<category><![CDATA[New Chamber Ballet]]></category>
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		<description><![CDATA[By Rachel Straus When a ballet dancer runs, the box of her pointe shoe hits the floor. The sound is unmistakable: low in timber, dense, much like a percussion instrument. Most choreographers don’t want the audience to hear dancers’ feet. But in Miro Magloire’s Night Music, which had its world premiere at City Center Studio [...]]]></description>
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		<title>February Dance Happenings in New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=837</link>
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		<pubDate>Mon, 31 Jan 2011 22:49:40 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[92nd St. Y]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[City Center]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Joyce Theater]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Town Hall]]></category>

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		<description><![CDATA[By Rachel Straus February 4 and 5 @ 8:00 p.m. Miro Magloire&#8217;s New Chamber Ballet at City Center Magloire’s choreographic inspiration is music. Lately, the German-born, composer-choreographer has been inviting emerging dance makers to his evenings at City Center’s studio. The program will include three world premieres: Constantine Baecher&#8217;s Sketches Of A Woman Remembering (a [...]]]></description>
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