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	<title>Musical America Blogs &#187; Christopher Wheeldon</title>
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		<title>Fall for Dance Festival: Recapping Program 1, 2 and 5</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7859</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7859#comments</comments>
		<pubDate>Thu, 18 Oct 2012 00:42:04 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Blakeley White-Mcguire]]></category>
		<category><![CDATA[Charles Wuorinen]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Chronicle]]></category>
		<category><![CDATA[Circa]]></category>
		<category><![CDATA[Craig Hall]]></category>
		<category><![CDATA[Deseo Y Conciencia]]></category>
		<category><![CDATA[Evel Knievel]]></category>
		<category><![CDATA[Fall for Dance Festival]]></category>
		<category><![CDATA[Fang Yi-Sheu]]></category>
		<category><![CDATA[Five Movements Three Repeats]]></category>
		<category><![CDATA[Fortune]]></category>
		<category><![CDATA[LPD-Laboratory Dance Project]]></category>
		<category><![CDATA[Maria Pages]]></category>
		<category><![CDATA[Martha Graham]]></category>
		<category><![CDATA[Max Richter]]></category>
		<category><![CDATA[Memoryhouse]]></category>
		<category><![CDATA[Merce Cunningham]]></category>
		<category><![CDATA[No Comment]]></category>
		<category><![CDATA[Otis Clyde]]></category>
		<category><![CDATA[Pam Tamowitz]]></category>
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		<category><![CDATA[The Bitter Earth/On the Nature of Daylight]]></category>
		<category><![CDATA[The Juilliard School]]></category>
		<category><![CDATA[Tyler Angle]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[Yaron Lifschitz]]></category>

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		<description><![CDATA[The seventh annual Fall For Dance Festival came to a meaty close on October 13.  Program five at New York’s City Center trafficked in high testosterone, thanks to China’s LPD-Laboratory Dance Project’s No Comment (2002) and Yaron Lifschitz’s Circa (2009), which is also the name of the Australian acrobatic troupe. In both works the body was treated like a battering ram.]]></description>
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		<title>Music and Dance Partnerships</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7515</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7515#comments</comments>
		<pubDate>Wed, 26 Sep 2012 15:53:29 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alice Tully]]></category>
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		<category><![CDATA[Ashley Bouder]]></category>
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		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Doris Humphrey]]></category>
		<category><![CDATA[El Sistema]]></category>
		<category><![CDATA[Ellen Bar]]></category>
		<category><![CDATA[Enjoy Your Rabbit]]></category>
		<category><![CDATA[Francisco Ruvalcaba]]></category>
		<category><![CDATA[Gabriela Poler-Buzali]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Igor Stravinsky]]></category>
		<category><![CDATA[Jose Limon]]></category>
		<category><![CDATA[Justin Peck]]></category>
		<category><![CDATA[Kathryn Alter]]></category>
		<category><![CDATA[Limon Dance Company]]></category>
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		<category><![CDATA[Missa Brevis]]></category>
		<category><![CDATA[Monte Carlo]]></category>
		<category><![CDATA[New York City Ballet]]></category>
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		<category><![CDATA[Work & Process]]></category>
		<category><![CDATA[Year of the Rabbit]]></category>
		<category><![CDATA[Zoltan Kodaly]]></category>

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		<description><![CDATA[Another event that featured music as much as dance was the September 17 Alice Tully Hall performance of the Simón Bolivar National Youth Choir and the José Limón Dance Company. The highlight of the one-night only occasion, celebrating Venezuala’s El Sistema, was Missa Brevis. ]]></description>
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		<title>The Seven Deadly Sins at City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1213</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1213#comments</comments>
		<pubDate>Tue, 24 May 2011 23:54:39 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[After the Rain]]></category>
		<category><![CDATA[Allegra Kent]]></category>
		<category><![CDATA[Balanchine]]></category>
		<category><![CDATA[Beowulf Boritt]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Chester Kallman]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Clotilde Otranto]]></category>
		<category><![CDATA[Deborah Jowitt]]></category>
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		<category><![CDATA[Jason Kantrowitz]]></category>
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		<category><![CDATA[Karinska]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Lotte Lenya]]></category>
		<category><![CDATA[Lynn Taylor-Corbett]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Patty Lapone]]></category>
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		<category><![CDATA[Street Car Named Desire]]></category>
		<category><![CDATA[The Real Housewives of Beverly Hills]]></category>
		<category><![CDATA[The Seven Deadly Sins]]></category>
		<category><![CDATA[Tilly Losch]]></category>
		<category><![CDATA[Vienna Waltzes]]></category>
		<category><![CDATA[W.H. Auden]]></category>
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		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1213</guid>
		<description><![CDATA[New York City Ballet’s new staging of  “The Seven Deadly Sins ,” which had its premiere at the company’s spring gala on May 11,  puts Kurt Weill and Bertolt Brecht’s dark, sinister “ballet chanté” of 1933 into a new context:  a tinsel-town soundstage, complete with unison hoofers in the grand finale.  Choreographer Lynn Taylor-Corbett, whose credits include Broadway’s “Swing,” has essentially created a Cliff Notes version of this irony-laced yarn, dragging  principal dancer Wendy Whelan and guest artist Patti Lapone through seven shallow scenes of human transgression and stripping the work of its brooding soul.]]></description>
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		<title>May Dance in New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=972</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=972#comments</comments>
		<pubDate>Tue, 03 May 2011 00:20:42 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[92nd St. Y]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alvin Ailey American Dance Theater]]></category>
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		<category><![CDATA[Andrew Nemr]]></category>
		<category><![CDATA[Antony Tudor]]></category>
		<category><![CDATA[Apollo Theater]]></category>
		<category><![CDATA[BAC Flicks]]></category>
		<category><![CDATA[Balanchine]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[Benjamin Millepied]]></category>
		<category><![CDATA[Bharata Natyam]]></category>
		<category><![CDATA[Camille A. Brown]]></category>
		<category><![CDATA[Cedar Lake Contemporary Ballet]]></category>
		<category><![CDATA[Charles Atlas]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Dances Patrelle]]></category>
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		<category><![CDATA[Lynne Taylor-Corbett]]></category>
		<category><![CDATA[Marshall Davis]]></category>
		<category><![CDATA[Mats Ek]]></category>
		<category><![CDATA[Mondays with Merce]]></category>
		<category><![CDATA[Movement Research]]></category>
		<category><![CDATA[Nancy Dalva]]></category>
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		<category><![CDATA[New York City Dance Parade]]></category>
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		<category><![CDATA[Patti Lupone]]></category>
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		<category><![CDATA[Rafael Bonachela]]></category>
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		<category><![CDATA[Sydney Dance Company]]></category>
		<category><![CDATA[Trisha Brown]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[“Giselle]]></category>
		<category><![CDATA[“Lady of the Camellias]]></category>
		<category><![CDATA[” Dakshina Company]]></category>
		<category><![CDATA[” “Cinderella]]></category>
		<category><![CDATA[” “Coppelia]]></category>
		<category><![CDATA[” “Don Quixote]]></category>
		<category><![CDATA[” “Swan Lake]]></category>
		<category><![CDATA[” “The Sleeping Beauty]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=972</guid>
		<description><![CDATA[By Rachel Straus May 1-2 Guggenheim Museum The popular Works + Process series presents “American Ballet Theatre on to Act II.” Current ABT dancers will perform excerpts from their upcoming Metropolitan Opera House season. ABT alumni will discuss the challenges dancers face in the second act of their careers.  You can watch the event each [...]]]></description>
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