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	<title>Musical America Blogs &#187; Christian Tetzlaff</title>
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		<title>Rocky Seas, a Waltz and a Violin Concerto</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7995</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7995#comments</comments>
		<pubDate>Fri, 26 Oct 2012 11:18:02 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Andris Nelsons]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Benjmain Britten]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[Claude Debussy]]></category>
		<category><![CDATA[Johann Strauß]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[la mer]]></category>
		<category><![CDATA[La valse]]></category>
		<category><![CDATA[Luciano Berio]]></category>
		<category><![CDATA[Maurice Ravel]]></category>
		<category><![CDATA[peter grimes]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

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		<description><![CDATA[By Rebecca Schmid The programming of the Berlin Philharmonic, while reportedly having gravitated away from the players’ specialty in German repertoire since Sir Simon Rattle took the reins a decade ago, not only gives equal weight to post-Romantic repertoire but consistently illuminates connections between works which seem disparate at first glance. Andris Nelsons conducted the [...]]]></description>
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		<title>A Reluctant Blogger Joins the Fray</title>
		<link>http://www.musicalamerica.com/mablogs/?p=429</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=429#comments</comments>
		<pubDate>Tue, 24 Feb 2009 21:14:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Charles Rosen]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Elliott Carter]]></category>
		<category><![CDATA[Franz Welser-Möst]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>

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		<description><![CDATA[My publisher made me do this. I’ve always been leery of blogs, from the disgusting sound of the word to the colossal self-importance of the act. Still, I admit to a good read and insight courtesy of bloggers Alex Ross and Alan Rich, and I’m sure I’d find others out there if I took the [...]]]></description>
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