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	<title>Musical America Blogs &#187; Chiang Ching</title>
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		<title>Nixon in Amber</title>
		<link>http://www.musicalamerica.com/mablogs/?p=857</link>
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		<pubDate>Fri, 04 Feb 2011 20:52:16 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Chiang Ching]]></category>
		<category><![CDATA[english national opera]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
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		<category><![CDATA[ping pong diplomacy]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[republic of china]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[the met]]></category>

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		<description><![CDATA[By James Jorden It&#8217;s not hard to guess why Peter Gelb would choose to import a recreation of the original production of Nixon in China instead of devising a new staging from scratch. It would hardly be prudent to blow a million dollars on a six-performance run of a work unlikely to be revived any [...]]]></description>
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		<title>A Cloudy &#8216;Tea&#8217;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=412</link>
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		<pubDate>Tue, 30 Sep 2008 07:28:43 +0000</pubDate>
		<dc:creator>Ken Smith</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Chiang Ching]]></category>
		<category><![CDATA[ken smith]]></category>
		<category><![CDATA[tan dun tea]]></category>

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		<description><![CDATA[by Ken Smith Back before the Olympic madness in Beijing and my full immersion in The Bonesetter’s Daughter in San Francisco, I put out word for anyone to help explain what precisely was being premiered in the “global premiere” of Tan Dun’s Tea at Beijing’s National Centre for the Performing Arts. I’ve just recently noticed [...]]]></description>
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