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	<title>Musical America Blogs &#187; chamber music</title>
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		<title>Who Should Write Program Notes?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7675</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7675#comments</comments>
		<pubDate>Thu, 04 Oct 2012 04:15:45 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Bert Harclerode]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Sciolino]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Congratulations to Mollie Alred of Sciolino Artist Management who won a $25 gift card for submitting the following question Dear Edna: As a manager of classical musicians, I have the opportunity to work with many different presenters. No matter the type of presenter, size of [...]]]></description>
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		<title>Finding the Right Gimmick</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4184</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4184#comments</comments>
		<pubDate>Wed, 14 Mar 2012 16:01:21 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alex ross]]></category>
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		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
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		<category><![CDATA[Leinsdorf]]></category>
		<category><![CDATA[leon botstein]]></category>
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		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4184</guid>
		<description><![CDATA[by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered [...]]]></description>
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		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4121#comments</comments>
		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
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		<category><![CDATA[presenter]]></category>
		<category><![CDATA[Susana Galli]]></category>
		<category><![CDATA[symphony]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4121</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
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		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
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		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
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		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3574</guid>
		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
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		<title>Pursuing Two Careers Simultaneously</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3545</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3545#comments</comments>
		<pubDate>Thu, 05 Jan 2012 03:35:59 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[arts administration]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[kennedy center]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Los Angeles Opera]]></category>
		<category><![CDATA[musical america]]></category>
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		<category><![CDATA[New York]]></category>

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		<description><![CDATA[   by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a composer, recently graduated with two Masters degrees, and I have chosen the administrative route for a small and ambitious organization. In your earlier column entitled “Overqualified and Underemployed”, you rightly wrote that many connections can be made working in [...]]]></description>
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		<title>Is There a Network of House Concerts?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3489</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3489#comments</comments>
		<pubDate>Thu, 15 Dec 2011 04:17:03 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Dr. Daniel Kuhn]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Fran Snyder]]></category>
		<category><![CDATA[Hilary Hahn]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Michael Palm]]></category>
		<category><![CDATA[Michael Reingold]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3489</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I have been told by many of my musician friends that it is very gratifying and helpful to perform in house concerts because they allow for direct communication with a small and appreciative audience and an opportunity to play through repertoire in an [...]]]></description>
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		<title>When a Quartet Becomes a Trio (temporarily)</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2470</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2470#comments</comments>
		<pubDate>Thu, 15 Sep 2011 04:15:36 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[For Chamber Music Ensembles]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
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		<category><![CDATA[string quartet]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2470</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a member of a string quartet. We are all just out of college and trying to get our individual careers going, as well as dedicating a lot of our time to establishing our quartet. We were recently in a situation where [...]]]></description>
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		<title>Making a Name for Yourself</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2019</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2019#comments</comments>
		<pubDate>Thu, 14 Jul 2011 04:15:17 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[For Chamber Music Ensembles]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colburn conservatory]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[fischoff competition]]></category>
		<category><![CDATA[gold medal]]></category>
		<category><![CDATA[juilliard quartet]]></category>
		<category><![CDATA[shanghai quartet]]></category>
		<category><![CDATA[tokyo string quartet]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2019</guid>
		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a student at a music conservatory in the U.S. with a strong interest in chamber music. This coming year will be my last one at the conservatory. Several friends of mine and I formed a string quartet this past February and [...]]]></description>
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