<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; carnegie hall</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=carnegie-hall" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Classical:NEXT debuts in Munich</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5255</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5255#comments</comments>
		<pubDate>Fri, 08 Jun 2012 11:02:46 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Anna Kleeblatt]]></category>
		<category><![CDATA[Association of Classical Independents in Germany]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Carsten Dürer]]></category>
		<category><![CDATA[Christopher Gruits]]></category>
		<category><![CDATA[Classical:NEXT]]></category>
		<category><![CDATA[Gasteig]]></category>
		<category><![CDATA[Gramophone]]></category>
		<category><![CDATA[Harry Klein club]]></category>
		<category><![CDATA[James Jolly]]></category>
		<category><![CDATA[Jessica Duchen]]></category>
		<category><![CDATA[MIDEM]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[Oliver Condy]]></category>
		<category><![CDATA[PIANONews]]></category>
		<category><![CDATA[Thierry Pécou]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5255</guid>
		<description><![CDATA[By Rebecca Schmid Classical:NEXT, an exclusively classical professional forum which held its first edition from May 30-June 2 in Munich, set out with high ambitions. Founded at the behest of the Association of Classical Independents in Germany (CLASS) as an alternative to MIDEM, which has left many attendants disappointed in recent years both for its [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=5255</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Finding the Right Gimmick</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4184</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4184#comments</comments>
		<pubDate>Wed, 14 Mar 2012 16:01:21 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Leinsdorf]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[verdi]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4184</guid>
		<description><![CDATA[by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4184</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4121#comments</comments>
		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[Susana Galli]]></category>
		<category><![CDATA[symphony]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4121</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4121</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New York Was His &#8220;Howieland&#8221;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4114</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4114#comments</comments>
		<pubDate>Wed, 29 Feb 2012 17:04:29 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christine Brewer]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[David Merrick]]></category>
		<category><![CDATA[Eric Owens]]></category>
		<category><![CDATA[Howard Kissel]]></category>
		<category><![CDATA[Jeremy Geffen]]></category>
		<category><![CDATA[John Oliver]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Maazel]]></category>
		<category><![CDATA[Michelle DeYoung]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[Tanglewood]]></category>
		<category><![CDATA[Woody Allen]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4114</guid>
		<description><![CDATA[by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4114</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3847</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Omus in Person</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3775</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3775#comments</comments>
		<pubDate>Wed, 01 Feb 2012 16:50:28 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Aaron Kernis]]></category>
		<category><![CDATA[Alicia de Larrocha]]></category>
		<category><![CDATA[Allan Kozinn]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Brian Kellow]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christopher Hunt]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Deborah Borda]]></category>
		<category><![CDATA[Festival]]></category>
		<category><![CDATA[Jane Moss]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kirk Varnedoe]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mary Lou Falcone]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Town Hall]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3775</guid>
		<description><![CDATA[by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3775</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3574</guid>
		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3574</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Do We Take Ourselves Too Seriously?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3194</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3194#comments</comments>
		<pubDate>Thu, 10 Nov 2011 04:15:17 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Communicating with Your Audience]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3194</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. A few nights ago, I attended a musical evening of sorts—not at Carnegie Hall or Lincoln Center but at Carolines Comedy Club in New York City. Intrigued by the advertisements I heard on radio station WQXR for its Classical Comedy Contest, I bought two tickets, [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3194</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Unglamorous Life</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2612</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2612#comments</comments>
		<pubDate>Sat, 08 Oct 2011 18:40:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[atys]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[Black Swan]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[donizetti]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[glamour]]></category>
		<category><![CDATA[john dexter]]></category>
		<category><![CDATA[josef svoboda]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[new york observer]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[repertoire]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2612</guid>
		<description><![CDATA[By James Jorden The Metropolitan Opera debut of Donizetti&#8217;s Anna Bolena, an amazing 180 years into the work&#8217;s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko&#8217;s momentary breaking of character during the &#8220;Tower Scene.&#8221; A common thread in both published and popular opinion, though, was that the piece itself was not [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2612</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Taking Chances in the Spring</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2082</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2082#comments</comments>
		<pubDate>Fri, 15 Jul 2011 04:51:53 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[albany symphony]]></category>
		<category><![CDATA[appalachian spring]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[dallas symphony]]></category>
		<category><![CDATA[david alan miller]]></category>
		<category><![CDATA[gene scheer]]></category>
		<category><![CDATA[jaap van zweden]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[spirituals]]></category>
		<category><![CDATA[steven stucky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2082</guid>
		<description><![CDATA[by Sedgwick Clark It seems odd that Carnegie Hall’s 2010-11 season concluded in mid May and that the New York Philharmonic continued into the last week of June, with the final concert of its Summertime Classics coda at the end of last week. It also seems to me that the official seasons in both halls concluded in [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=2082</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>