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	<title>Musical America Blogs &#187; carmen</title>
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		<title>Seeing Dance (and Bullfights) in Spain</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4928</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4928#comments</comments>
		<pubDate>Mon, 28 May 2012 15:19:19 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[AIDS]]></category>
		<category><![CDATA[Ballet Flamenco de Madrid]]></category>
		<category><![CDATA[Cancanilla de Malaga]]></category>
		<category><![CDATA[carmen]]></category>
		<category><![CDATA[El Huerto Espacio Escénico]]></category>
		<category><![CDATA[Flamenco]]></category>
		<category><![CDATA[George Bizet]]></category>
		<category><![CDATA[José Greco]]></category>
		<category><![CDATA[Juan Antonio Muñoz]]></category>
		<category><![CDATA[Lola Flores]]></category>
		<category><![CDATA[Madrid]]></category>
		<category><![CDATA[Manuel Badás]]></category>
		<category><![CDATA[Obra Social de Caja]]></category>
		<category><![CDATA[Plaza de Toros de Las Ventas]]></category>
		<category><![CDATA[Saint Sebastian]]></category>
		<category><![CDATA[Salamanca]]></category>
		<category><![CDATA[Sara Lezana]]></category>
		<category><![CDATA[Saulo Sanchez G]]></category>
		<category><![CDATA[Sebastián]]></category>
		<category><![CDATA[Sebastián Heredia Santiago]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[Strange Fruit]]></category>
		<category><![CDATA[Teatro Nuevo Apolo]]></category>
		<category><![CDATA[Veronica Santos]]></category>

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		<description><![CDATA[While the New York Times paints Spain as a country on the verge of collapse, the view from the streets of Madrid and Salamanca is quite different. At Madrid's Plaza de Toros de Las Ventas on May 27, the stadium was packed. Though the bullfights are a far cry from ballet or experimental dance, the posture of the toreadors (bullfighters) are inescapably similar to the stance of flamenco dancers]]></description>
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		<title>Time Bandits</title>
		<link>http://www.musicalamerica.com/mablogs/?p=765</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=765#comments</comments>
		<pubDate>Fri, 12 Nov 2010 16:37:05 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bizet]]></category>
		<category><![CDATA[carmen]]></category>
		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[goya]]></category>
		<category><![CDATA[il trovatore]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[richard eyre]]></category>
		<category><![CDATA[verdi]]></category>

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		<description><![CDATA[By James Jorden When stage directors decide to intervene (as opposed to merely curating) there are a number of approaches they can take: deconstruction, gloss on the text, invention of an entirely new narrative. Or they can take the somewhat safer route of changing the epoch of the action, setting La bohème during World War [...]]]></description>
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