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	<title>Musical America Blogs &#187; career</title>
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		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4121#comments</comments>
		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
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		<category><![CDATA[Susana Galli]]></category>
		<category><![CDATA[symphony]]></category>

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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
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		<title>Charles Anthony, No Unsung Hero</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4081</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4081#comments</comments>
		<pubDate>Mon, 27 Feb 2012 18:56:54 +0000</pubDate>
		<dc:creator>Alberich2</dc:creator>
				<category><![CDATA[A Rich Possession]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[Charles Anthony]]></category>
		<category><![CDATA[guinness book of world records]]></category>
		<category><![CDATA[James Conlon]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[ripley s believe it or not]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[the met]]></category>

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		<description><![CDATA[by James Conlon On February 15, one of the great men of opera passed away. Charles Anthony will be long remembered for the stunning statistics of his career at the Metropolitan Opera: 2,928 performances of 111 roles in 69 operas in 57 years. He appeared there more than any other artist in the Met’s history. [...]]]></description>
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		<title>Finding Your Unique Path to Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4033</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4033#comments</comments>
		<pubDate>Thu, 23 Feb 2012 04:15:07 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4033</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. It has been pointed out to me that in my column last week, I inadvertently misspelled the name of the author of an article entitled “Being a Professional Chorister” which appeared on Laura Claycomb’s website. His correct name is Martin L. Poock. My apologies to [...]]]></description>
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		<title>Getting a Feel for Fees</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3789</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3789#comments</comments>
		<pubDate>Thu, 02 Feb 2012 04:15:05 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[young artist]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3789</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a pianist, seeking to obtain performance opportunities without a manager. Can you please give me some guidance with regard to negotiating a fee? How can I tell what is reasonable and within the budget of the organization in question? How much [...]]]></description>
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		<title>The Secret Ingredient for Success</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3703</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3703#comments</comments>
		<pubDate>Thu, 26 Jan 2012 04:15:39 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Communicating with Your Audience]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[Perlman]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3703</guid>
		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. I was recently honored to be asked to participate on a panel at the annual Astral Artists auditions, during which I listened to a substantial number of pianists and wind players. While all were on a rather high level, I was struck by the relatively [...]]]></description>
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		<title>Pursuing Two Careers Simultaneously</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3545</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3545#comments</comments>
		<pubDate>Thu, 05 Jan 2012 03:35:59 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[arts administration]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[kennedy center]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Los Angeles Opera]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[New York]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3545</guid>
		<description><![CDATA[   by Edna Landau To ask a question, please write Ask Edna. Dear Edna: I am a composer, recently graduated with two Masters degrees, and I have chosen the administrative route for a small and ambitious organization. In your earlier column entitled “Overqualified and Underemployed”, you rightly wrote that many connections can be made working in [...]]]></description>
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		<title>Getting to Know You (writing a good bio)</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1350</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1350#comments</comments>
		<pubDate>Thu, 02 Jun 2011 04:15:51 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Publicity and Promotion]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[repertoire]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1350</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Please note that in the months of June, July and August, I will be posting new entries to this blog on a bi-weekly basis. I am grateful to all of you for your interest in “Ask Edna” and wish you a very pleasant summer. Dear [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1217#comments</comments>
		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[Alkan]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Benabdallah]]></category>
		<category><![CDATA[Benabdeljalil]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Clementi]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Fantaisie]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Gabetta]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Kreeger]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[repertoire]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Servais]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sonata]]></category>
		<category><![CDATA[Sorgen]]></category>
		<category><![CDATA[Variations]]></category>
		<category><![CDATA[Weill]]></category>
		<category><![CDATA[Zankel]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1217</guid>
		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
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