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	<title>Musical America Blogs &#187; calixto bieito</title>
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		<title>Water works</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4476</link>
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		<pubDate>Fri, 06 Apr 2012 06:49:54 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[la monnaie]]></category>
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		<description><![CDATA[By James Jorden Most arts-related technology is at least slightly Jekyll-and-Hyde in its implementation, no matter how optimistic the intentions of its creator. For an example of the phenomenon, you need look no farther thafn Robert Lepage&#8216;s Ring, clanking its way back to the stage of the Met this week. Amazing tech, that: all those [...]]]></description>
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		<title>Regie in its natural habitat</title>
		<link>http://www.musicalamerica.com/mablogs/?p=940</link>
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		<pubDate>Tue, 19 Apr 2011 21:23:38 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[journey of a thousand miles]]></category>
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		<category><![CDATA[parsifal]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
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		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[staatsoper stuttgart]]></category>
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		<description><![CDATA[By James Jorden The Staatsoper Stuttgart may be called the cradle of Regietheater, or at least a cradle of Regietheater. Strong theatrical values have characterized this company from the opening of the theater in 1912 (the world premiere of Ariadne auf Naxos, helmed by megaregisseur Max Reinhardt) through the 1950s, when Wieland Wagner&#8217;s frequent projects [...]]]></description>
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		<title>Berlin Diary</title>
		<link>http://www.musicalamerica.com/mablogs/?p=925</link>
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		<pubDate>Sun, 10 Apr 2011 01:58:37 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[barrie kosky]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[doris doerrie]]></category>
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		<category><![CDATA[otto schenk]]></category>
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		<category><![CDATA[staatsoper unter den linden]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>

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		<description><![CDATA[By James Jorden I apologize for long period (two months!) of radio silence: it&#8217;s been a very busy spring season in New York, broken up by a two week vacation my traveling companion and I called the &#8220;Regietournee,&#8221; a sampling of some of the opera direction going on in Germany (and other northern European theaters.) [...]]]></description>
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