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	<title>Musical America Blogs &#187; bruckner</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9149#comments</comments>
		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
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		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>Dresdener Musikfestspiele pay Tribute to Eastern Europe</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4937</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4937#comments</comments>
		<pubDate>Tue, 29 May 2012 17:38:07 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
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		<category><![CDATA[Matthias Henneberg]]></category>
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		<category><![CDATA[Steven Devine]]></category>
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		<category><![CDATA[Tehila Nini Goldstein]]></category>
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		<description><![CDATA[By Rebecca Schmid The theme of this year’s Dresdener Musikfestspiele, “Herz Europas” (the Heart of Europe), inventively returns the East German city to its roots as a thriving cultural hub. While today’s united Germany is roiled by the end of the ‘Merkozy’ era and Eurobond controversy, the emphasis of the festival (May 15-June 3) on [...]]]></description>
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		<title>A Möst Rewarding Partnership</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2202</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2202#comments</comments>
		<pubDate>Thu, 28 Jul 2011 04:50:14 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Arts Administration]]></category>
		<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[artist management]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[cleveland orchestra]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[jeffrey kahane]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[van cliburn competition]]></category>
		<category><![CDATA[youth orchestra]]></category>

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		<description><![CDATA[By Edna Landau To ask a question, please write Ask Edna. In March of this year, I was invited to speak to a wonderful group of arts supporters in Pasadena, California, by the name of Metropolitan Associates. They were interested in hearing about my career in artist management and in having the opportunity to ask questions [...]]]></description>
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