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	<title>Musical America Blogs &#187; Berlin Times</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
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		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Gauguin]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>Opening words…</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4470</link>
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		<pubDate>Thu, 05 Apr 2012 15:52:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[DAAD]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Karl Scheffler]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Offenbach]]></category>
		<category><![CDATA[Potsdamer Platz]]></category>
		<category><![CDATA[wagner]]></category>
		<category><![CDATA[Zürich Mozart]]></category>

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		<description><![CDATA[By Rebecca Schmid The author Karl Scheffler famously described Berlin as condemned to forever becoming but never being. When I arrived here nearly two years ago as a DAAD grantee in journalism, the city sprawled out like an unfinished collage. The Philharmonie on the gleaming, rebuilt Potsdamer Platz where I heard Daniel Barenboim perform and [...]]]></description>
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