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	<title>Musical America Blogs &#187; Berlin Philharmonic</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=9149#comments</comments>
		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Gauguin]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=9149</guid>
		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>Rocky Seas, a Waltz and a Violin Concerto</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7995</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7995#comments</comments>
		<pubDate>Fri, 26 Oct 2012 11:18:02 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Andris Nelsons]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Benjmain Britten]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Christian Tetzlaff]]></category>
		<category><![CDATA[Claude Debussy]]></category>
		<category><![CDATA[Johann Strauß]]></category>
		<category><![CDATA[John Williams]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[la mer]]></category>
		<category><![CDATA[La valse]]></category>
		<category><![CDATA[Luciano Berio]]></category>
		<category><![CDATA[Maurice Ravel]]></category>
		<category><![CDATA[peter grimes]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7995</guid>
		<description><![CDATA[By Rebecca Schmid The programming of the Berlin Philharmonic, while reportedly having gravitated away from the players’ specialty in German repertoire since Sir Simon Rattle took the reins a decade ago, not only gives equal weight to post-Romantic repertoire but consistently illuminates connections between works which seem disparate at first glance. Andris Nelsons conducted the [...]]]></description>
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		<title>Musikfest Berlin salutes the Stars and Stripes</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7324</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7324#comments</comments>
		<pubDate>Fri, 14 Sep 2012 12:09:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Charles Ives]]></category>
		<category><![CDATA[Daniel Stabwara]]></category>
		<category><![CDATA[Emilio Pomarico]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabelle Faust]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[John Cage]]></category>
		<category><![CDATA[Konzerthausorchester]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Morton Feldman]]></category>
		<category><![CDATA[Musikfest Berlin]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7324</guid>
		<description><![CDATA[By Rebecca Schmid Blame it on Cage. Or the Marshall Plan. It is impossible to escape the American canon as the season opens here with the Musikfest Berlin (August 31-September 18), an annual festival dedicated to 20th-century music. The event falls just as Europe’s major festivals are drawing to a close and often struggles for [...]]]></description>
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		<title>Claus Guth&#8217;s Forest-bound &#8216;Don Giovanni&#8217; at the Staatsoper; Musikfestspiele Potsdam&#8217;s new Pleasure Garden</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5768</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5768#comments</comments>
		<pubDate>Fri, 29 Jun 2012 12:01:35 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alexander Tsymbalyuk]]></category>
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		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[Anna Prohaska]]></category>
		<category><![CDATA[Anthony Holgborne]]></category>
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		<category><![CDATA[Don Giovanni]]></category>
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		<category><![CDATA[Stefan Kocan]]></category>
		<category><![CDATA[Water Music]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5768</guid>
		<description><![CDATA[By Rebecca Schmid Few operas in history have gripped the human psyche to the same extent as Don Giovanni. Pushkin, Kierkegaard, and Bernard Shaw count among the literary figures to have written their own account of the daemonic seductor since Mozart and Da Ponte staged their ‘drama giocoso,’ a tragi-comedy, in Prague. Since the 19th [...]]]></description>
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		<title>Nézet-Séguin performs Epic Romance with the Berlin Philharmonic</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5490</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5490#comments</comments>
		<pubDate>Fri, 22 Jun 2012 12:42:34 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Apollon Musagète]]></category>
		<category><![CDATA[Berio]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Cathy Berberian]]></category>
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		<category><![CDATA[Michael Fokine]]></category>
		<category><![CDATA[Nizhinsky]]></category>
		<category><![CDATA[Orchestre Philharmonique de Monte-Carlo]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Romeo and Juliet]]></category>
		<category><![CDATA[Rundfunkchor Berlin]]></category>
		<category><![CDATA[Sir Simon Rattle]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>
		<category><![CDATA[Walter Seyfarth]]></category>
		<category><![CDATA[Yannick Nézet-Séguin]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=5490</guid>
		<description><![CDATA[By Rebecca Schmid Conducting the Berlin Philharmonic is no small feat for a 37-year-old, and Yannick Nézet-Séguin—returning to the orchestra’s podium for the first time since his 2010 debut—had no intention to the make the event a small affair. The newly minted music director of the Philadelphia Orchestra, seen at the Philharmonie on June 16, [...]]]></description>
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		<title>Korngold replaces Golijov; Double-Portrait of Nancarrow and Vivier</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4732</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4732#comments</comments>
		<pubDate>Fri, 04 May 2012 14:31:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[Deutschland Radio]]></category>
		<category><![CDATA[Eugene Symphony]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[Holger Hettinger]]></category>
		<category><![CDATA[Korngold]]></category>
		<category><![CDATA[Laboratorium]]></category>
		<category><![CDATA[Leonidas Kavakos]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lucerne Festival Academy]]></category>
		<category><![CDATA[Nancarrow]]></category>
		<category><![CDATA[Oswaldo Golijov]]></category>
		<category><![CDATA[Patrick Crossland]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Strauss]]></category>
		<category><![CDATA[Vivier]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4732</guid>
		<description><![CDATA[By Rebecca Schmid While Berlin can boast its share of world premieres, the cancellation of Oswaldo Golijov’s Violin Concerto with Leonidas Kavakos and the Philharmonic last month dealt a blow to what would have been one of the most exciting events of the season. Even though the announcement came as little surprise given that he [...]]]></description>
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		<title>St. Matthew leaves the Altar, takes to the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4608</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4608#comments</comments>
		<pubDate>Fri, 20 Apr 2012 12:24:56 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[peter sellars]]></category>
		<category><![CDATA[Rundfunkchor Berlin]]></category>
		<category><![CDATA[Simon Halsey]]></category>
		<category><![CDATA[Sir Simon Rattle]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4608</guid>
		<description><![CDATA[By Rebecca Schmid Peter Sellars’ semi-staging of St. Matthew Passion for the Rundfunkchor Berlin and the Berlin Philharmonic, officially called a “ritualization” on the cover of the production’s recently-released DVD, may be one of his most daring enterprises to date. Interestingly though, Bach’s Passion already has a history as a subject of both artistic reverence [...]]]></description>
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