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	<title>Musical America Blogs &#187; Bavarian State Opera</title>
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		<title>Rigoletto Lands in Stadium</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8931</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8931#comments</comments>
		<pubDate>Fri, 21 Dec 2012 13:36:51 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Árpád Schilling]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bayerischer Staatsopernchor]]></category>
		<category><![CDATA[Dimitry Ivashchenko]]></category>
		<category><![CDATA[Franco Vassallo]]></category>
		<category><![CDATA[Joseph Calleja]]></category>
		<category><![CDATA[Marco Armiliato]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Nadia Krasteva]]></category>
		<category><![CDATA[Patricia Petibon]]></category>
		<category><![CDATA[Planet of the Apes]]></category>
		<category><![CDATA[Rigoletto]]></category>
		<category><![CDATA[Vienna State Opera]]></category>

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		<description><![CDATA[By ANDREW POWELL Published: December 21, 2012 MUNICH — They all laughed eight years ago when the Bavarian State Opera set Verdi’s Rigoletto on the Planet of the Apes, and the production fast vanished. Naturally, then, the return of the deformed ducal jester in a new régie last Saturday (Dec. 15) promised relative normalcy, perhaps [...]]]></description>
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		<title>Widmann’s Opera Babylon</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8362</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8362#comments</comments>
		<pubDate>Fri, 23 Nov 2012 11:15:57 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alexander Janiczek]]></category>
		<category><![CDATA[András Schiff]]></category>
		<category><![CDATA[Anna Prohaska]]></category>
		<category><![CDATA[Arcanto Quartett]]></category>
		<category><![CDATA[Babylon]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bavarian-Babylonian March]]></category>
		<category><![CDATA[Carlus Padrissa]]></category>
		<category><![CDATA[Claron McFadden]]></category>
		<category><![CDATA[David Schultheiß]]></category>
		<category><![CDATA[Euphrates]]></category>
		<category><![CDATA[Gabriele Schnaut]]></category>
		<category><![CDATA[George Loomis]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
		<category><![CDATA[Jussi Myllys]]></category>
		<category><![CDATA[Kai Wessel]]></category>
		<category><![CDATA[Kent Nagano]]></category>
		<category><![CDATA[Mozarteum]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Munich Opera Festival]]></category>
		<category><![CDATA[Peter Sloterdijk]]></category>
		<category><![CDATA[Régietheater]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Tower of Babel]]></category>
		<category><![CDATA[Willard White]]></category>
		<category><![CDATA[Wolfgang Rihm]]></category>

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		<description><![CDATA[By ANDREW POWELL Published: November 23, 2012 MUNICH — Scorpion-Man prowls the rubble of an unnamed flattened city at the start of Babylon, Jörg Widmann’s new opera, wailing as he moves. We should care. Seven scenes, a Hanging Garden interlude, and three costly theater hours later, he is back, doing his thang over the same [...]]]></description>
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		<title>Season of Concessions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7747</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7747#comments</comments>
		<pubDate>Thu, 11 Oct 2012 15:35:02 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Allianz]]></category>
		<category><![CDATA[Anja Harteros]]></category>
		<category><![CDATA[Audi]]></category>
		<category><![CDATA[Babylon]]></category>
		<category><![CDATA[Bavarian Radio Symphony Orchestra]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[Bavarian State Orchestra]]></category>
		<category><![CDATA[BMW]]></category>
		<category><![CDATA[BR Chor]]></category>
		<category><![CDATA[BR Klassik]]></category>
		<category><![CDATA[Brigitte Fassbaender]]></category>
		<category><![CDATA[Bruno Walter]]></category>
		<category><![CDATA[Carlus Padrissa]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Constantinos Carydis]]></category>
		<category><![CDATA[David Robertson]]></category>
		<category><![CDATA[Don Pasquale]]></category>
		<category><![CDATA[Esa-Pekka Salonen]]></category>
		<category><![CDATA[Ferenc Fricsay]]></category>
		<category><![CDATA[Gasteig]]></category>
		<category><![CDATA[Hans Knappertsbusch]]></category>
		<category><![CDATA[Herkulessaal]]></category>
		<category><![CDATA[Jenůfa]]></category>
		<category><![CDATA[Jörg Widmann]]></category>
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		<category><![CDATA[Münchener Kammerorchester]]></category>
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		<category><![CDATA[Riccardo Chailly]]></category>
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		<category><![CDATA[Richard Jones]]></category>
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		<category><![CDATA[Salvatore Sciarrino]]></category>
		<category><![CDATA[Siemens]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Staatstheater am Gärtnerplatz]]></category>
		<category><![CDATA[Tomáš Hanus]]></category>
		<category><![CDATA[Turandot]]></category>
		<category><![CDATA[Ulf Schirmer]]></category>
		<category><![CDATA[Wolfgang Heubisch]]></category>
		<category><![CDATA[Wolfgang Sawallisch]]></category>

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		<description><![CDATA[By ANDREW POWELL Published: October 11, 2012 MUNICH — Arts groups here present a compromised 2012–13 season, facing pros and cons not always aligned with those in America. Funding holds steady. City and state (Bavaria) play their part, and local powerhouses — Siemens, BMW, Audi, Allianz, and Linde among them — step up habitually to [...]]]></description>
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		<title>Classical:NEXT debuts in Munich</title>
		<link>http://www.musicalamerica.com/mablogs/?p=5255</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=5255#comments</comments>
		<pubDate>Fri, 08 Jun 2012 11:02:46 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Anna Kleeblatt]]></category>
		<category><![CDATA[Association of Classical Independents in Germany]]></category>
		<category><![CDATA[Bavarian State Opera]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Carsten Dürer]]></category>
		<category><![CDATA[Christopher Gruits]]></category>
		<category><![CDATA[Classical:NEXT]]></category>
		<category><![CDATA[Gasteig]]></category>
		<category><![CDATA[Gramophone]]></category>
		<category><![CDATA[Harry Klein club]]></category>
		<category><![CDATA[James Jolly]]></category>
		<category><![CDATA[Jessica Duchen]]></category>
		<category><![CDATA[MIDEM]]></category>
		<category><![CDATA[Munich]]></category>
		<category><![CDATA[Naxos]]></category>
		<category><![CDATA[Oliver Condy]]></category>
		<category><![CDATA[PIANONews]]></category>
		<category><![CDATA[Thierry Pécou]]></category>

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		<description><![CDATA[By Rebecca Schmid Classical:NEXT, an exclusively classical professional forum which held its first edition from May 30-June 2 in Munich, set out with high ambitions. Founded at the behest of the Association of Classical Independents in Germany (CLASS) as an alternative to MIDEM, which has left many attendants disappointed in recent years both for its [...]]]></description>
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