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	<title>Musical America Blogs &#187; Bartok</title>
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		<title>New Releases:  ‘Almost Truths and Open Deceptions’; &#8216;Opus 1&#8242;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6287</link>
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		<pubDate>Fri, 27 Jul 2012 13:30:31 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Almost Truths and Open Deceptions]]></category>
		<category><![CDATA[Andrew Russo]]></category>
		<category><![CDATA[Annie Gosfield]]></category>
		<category><![CDATA[Assaff Weisman]]></category>
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		<description><![CDATA[By Rebecca Schmid The New York-based composer Annie Gosfield is best known for her synthesis of industrial sounds and other unconventional sampling into rock-inflected, yet often intricately wrought, compositions. As a fellow at the American Academy in Berlin last semester, she researched encrypted radio broadcasts from World War Two—part of a long-standing fascination with archaic [...]]]></description>
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		<title>Dresdener Musikfestspiele pay Tribute to Eastern Europe</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4937</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4937#comments</comments>
		<pubDate>Tue, 29 May 2012 17:38:07 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
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		<description><![CDATA[By Rebecca Schmid The theme of this year’s Dresdener Musikfestspiele, “Herz Europas” (the Heart of Europe), inventively returns the East German city to its roots as a thriving cultural hub. While today’s united Germany is roiled by the end of the ‘Merkozy’ era and Eurobond controversy, the emphasis of the festival (May 15-June 3) on [...]]]></description>
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